Here is "translation" of Kohlert story. I have probably made lots of mistakes. So please, don't me judge me too hard.
- After the expropriation (CZ state took over Kohlert) in 1945 Max and Ernst (Daniels sons) and two sons of Rudolf carried on with the business. 1946/1947 the company “Kohlert & Co” (in “Swabian) was rebuilt.
Together with some coworkers from Graslitz initially (mostlyl US forces)
instruments were repaired and later on saxophones were manufactured under the names/brands “Kohlert 55”, Kohlert 57”, “Kohlert 58” or “Regent” (Förvisade?) ????.
The saxes had rolled tone holes, early models had the bell keys on the left side of the bell, and the key guards were similar (close) early Martin/USA saxes (not with split bell keys, my note). There were also built single/few bass saxes in Winnenden.
In 1953/1954 there were around 100 employed ( c 30 of these were “homeworkers”) reported, some years later there were 138 qualified employees incl “homeworkers”.
The good relationship with USA (long term and price-controlled delivery commitment) agreements with american wholesalers (Conn and White among others) and when the prices went up for material Kohlert was not compensated and they tried to cut costs by machine manufacturing process/moments instead of handicraft. Few and long-termed efforts failed and just a few parts could be made by machine “out sourching”
In the mid 60’s the american Saltman bought company and the Kohlert brand. The Kohlert Regent stamped with Kohlert Winnenden is not a sax that were made in Germany. Just the name???
After all efforts to save the company it went bankrupt in 1966.
In 1967 the hobby - multi instrumentalist Fritz Pfannenschwarz bought the company för 40 000 DM and moved the company to his hometown Nordheim close to Heilbronn (Baden- Württenberg) and continued the production . 16 years later Firma an die Kruel & Moosman GmbH (limited) in Waiblingen bought the company from Pfannenschwarz. By then there were just 6 employees left at Kohlerts. -
I have seen a Kohlert and a Hohner with soft soldered on tones with bevelled tone holes rims à la Martin. And I've seen a Tone King (Keilwerth Nauheim) with tone holes close to Comm tone holes. Looks lie an Olds Super All saxes with bell keys on the left side. I have often wondered how Martin could make a student sax with soft solded toneholes in the late 60's? I doesn't make sense to me.