Playing the saxophone Learn to play by ear or by reading music

Who relies on ear playing over reading?


  • Total voters
    173
Try [long short-short long long] as the rhythm in the bars with 5 notes.

If we are using sol-fa for the pitches and morse code for the rhythm, perhaps we could use semaphore flags to indicate which octave the note is in.>:)

But once we treat this as an intellectual puzzle, @jbtsax 's serious pedagogical intention has got lost.
 
Maybe we should have a "Sol-fa Puzzle of the week" thread.
A very good idea - but it takes someone to take the trouble to set it.

Regarding the wider issue of dots v solfege, in my non-expert opinion they serve different purposes. Dots are a means of writing music so that it can be read and converted into sound as the writer intends. Solfege is a teaching/learning tool, perhaps one that I can use to improve my "ear".
 
| do do | ti sol la ti do | do la | sol | la fa | mi do re mi fa | re ti do re mi | do |

I've just realised that I've been playing this wrong for years. I thought the la in the 5th bar was a do but I looked up the dots and it is indeed a (low) la.
 
What song is this the beginning of? | do do | ti sol la ti do | do la | sol | la fa | mi do re mi fa | re ti do re mi | do |

Here's a hint: the do to do in the first measure is an octave. Maybe it could be written do1 do2 or something like that. :confused2:

I'm an ear player, and not a bad one, and I haven't got a Scooby what that tune is!!!
 
Well, I've tired it with my sax, with Do, re, mi written alongside the notes in D, and I still haven't got it. Thw first three notes could be Baker Street but with the rest I'm lost!
 
Well, I've tired it with my sax, with Do, re, mi written alongside the notes in D, and I still haven't got it. Thw first three notes could be Baker Street but with the rest I'm lost!

It must be the octaves confusing you

| do1 do2 | ti1 sol1 la1 ti1 do2 | do1 la1 | sol1 | la-1 fa1 | mi1 do1 re1 mi1 fa1 | re1 ti-1 do1 re1 mi1 | do1 |
 
What song is this the beginning of? | do do | ti sol la ti do | do la | sol | la fa | mi do re mi fa | re ti do re mi | do |
Put the answer on another thread so those of us still trying don't spot it by accident 🙂

Mind you I don't stand much chance without playing it I don't think. I can't even hear a tune if I have the notes on a stave with correct length 🙂

Jx
 
Put the answer on another thread so those of us still trying don't spot it by accident 🙂

Mind you I don't stand much chance without playing it I don't think. I can't even hear a tune if I have the notes on a stave with correct length 🙂

Jx

Here's the bridge. That might help.

sol | mi sol mi sol mi sol mi sol | fa sol fa sol fa sol fa sol fa sol | la . . . . | . . . . sol |
| mi sol mi sol mi sol mi sol | fi* la fi la fi la fi la | ti . . . . | re2 la | do1 do2 | etc.

* fi is fa up a half step
 
Recognising intervals instantly and accurately must be the key to playing fluently by ear.
It's one of them. For me, another key is familiarity with the sound of each note in the context of a major or minor key. Each note has a certain tendency, that's kind of hard to describe. For example the fourth degree of a major scale (in the context of a tune in that key) feels like it's pulling dowm to the third. The sxith sounds (to me) like it wants to get back to the tonic via the seventh. And so on. Then the theory and the ear start to work together. I don't even kow how I'm doing it any more, but I do know it's taken a lot of ear training practice over several years to get me to this point, and I've a long way to go still.
 
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Thanks @jbtsax I've never used solfege before but using your clues I've worked this one out 🙂 I must admit only after I realised do and do were an octave apart 🙂
 

Similar threads... or are they? Maybe not but they could be worth reading anyway 😀

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