- Messages
- 598
- Location
- Zurich
Well, the tuner checked out ok against an electric piano, so no problem there.
I tried the tuning method you suggested @jbtsax and it did result in a different mouthpiece position to what I normally use.
I could also get pretty good agreement on the low Bb (Bb1), fingered Bb (Bb2) and 1st overtone of low Bb (Bb2) as you suggested @Pete Thomas.
The overtone Bb3 is still sharp (+20cent) but with a fair deal of clumsy oral gymnastics, I could get it more or less in tune.
Since I only managed to get the Bb3 overtone a couple of weeks ago, it seems that the evidence is pointing rather squarely at me
, which let's face it, is pretty much what we all suspected in the first place.
Thanks for your very helpful responses! At least I have a better idea now about setting up the mouthpiece, and what to aim for with the overtones
I tried the tuning method you suggested @jbtsax and it did result in a different mouthpiece position to what I normally use.
I could also get pretty good agreement on the low Bb (Bb1), fingered Bb (Bb2) and 1st overtone of low Bb (Bb2) as you suggested @Pete Thomas.
The overtone Bb3 is still sharp (+20cent) but with a fair deal of clumsy oral gymnastics, I could get it more or less in tune.
Since I only managed to get the Bb3 overtone a couple of weeks ago, it seems that the evidence is pointing rather squarely at me
, which let's face it, is pretty much what we all suspected in the first place.Thanks for your very helpful responses! At least I have a better idea now about setting up the mouthpiece, and what to aim for with the overtones

