Saxophones Has anyone here played with the Glenn Miller Orchestra?

SuperAction80

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Obviously, I'm talking about the revival band. Specifically, I'm wondering if anyone here was working with the first iteration of the revival band back in the late 50's. It's a long shot, I know, but I'm curious. I own two horns used by a Mr. Edward J. Obusek. My Buescher 156 tenor and recently found and acquired Pan Am 68N clarinet were his. I'm friends with the family, and they gave me these horns for next to nothing. The 156 received the best restoration care under the best tech currently in my area. We maintained the integrity as much as humanly possible, and even restored a few things lost by seemingly one trip to another tech decades ago. (It was just a single missing snap. My guy had the replacement, but he noted that it was intentionally taken out. It irked both of us. 🤣) I just received the clarinet last week, and think that I'm going to replace the pads and corks on that one myself. I don't have Nortons and snap-ins to contend with. And, let's face facts, a clarinet is a bit easier to maintain. The easily chippable veneer on this one is PERFECT. I'm well brushed up on the points if failure on this model, and have some thoughts on how to prevent them. So, I want the overhaul on me. Really just pad and cork replacement with a bit of re-enforcement around the edges of the joints. Oh yeah, and some oil in the rods. Keys are working fine with no binding, but it was kept in a dry place. The glued on toneholes are in place and are perfect. The pad leather disintegrated from the seats inwards, but it still plays... eh, alright. Should be worse. These large bore clarinets seem to be forgiving.

The reason for my asking came from how much this particular man loved playing up until his last days. He passed in 2018, suffered from dementia in his final years, and I never had the pleasure to know him. Playing on his preferred equipment, I at least have a bit of an idea of how he thought. I have his old mouthpieces and even old reeds, so I can find equivalent reeds to try the mouthpieces out. It's been enlightening. The family is also scanning some old Polaroids of him playing on the bandstand when these horns were brand new. It's honestly a pretty cool blessing to have.

I'm just looking for more stories and info from former band members of that era. What was it like touring? If you knew Ed, all the better. Eventually, I'd like to make a digital time capsule of sorts. Gentlemen of this era worked as hard or harder than I have. It's very easy for me to document my successes and failures. We have phones that can do all of that now. The average PC can also create studio quality recordings. Past generations didn't have this luxury. Still, this era deserves our respect. We all know the name brand players of the time, but a lot more was going on in the music scene. Those other musicians deserve some recognition whenever they can get it. I'm just contributing where I can, because I know that these horns have some untold stories.
 

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Oh good. Story time. And folks here know I like to tell stories... but this one is my father's story; and probably not helpful. But here we go...

This had to be back in the early 60's when the revival band was in town. Though it could have been Tex Beneke's version as I recall he was part of the story, but couldn't have been in the true revival group run by the Miller estate. But either way, a Glen Miller tribute is in town and their piano player is sick. My dad was everybody's (seemingly) doctor back then and of course anything with music attached got my father's attention as he was a piano player himself who had studied at Julliard and got his union card in NYC before he was thirteen. So he gets the house call. Long story short, my father had good news and bad news for them. First the bad news; the player had to go to the hospital. And the good news? I know the book, my father told them... and got the gig.
 
Oh good. Story time. And folks here know I like to tell stories... but this one is my father's story; and probably not helpful. But here we go...

This had to be back in the early 60's when the revival band was in town. Though it could have been Tex Beneke's version as I recall he was part of the story, but couldn't have been in the true revival group run by the Miller estate. But either way, a Glen Miller tribute is in town and their piano player is sick. My dad was everybody's (seemingly) doctor back then and of course anything with music attached got my father's attention as he was a piano player himself who had studied at Julliard and got his union card in NYC before he was thirteen. So he gets the house call. Long story short, my father had good news and bad news for them. First the bad news; the player had to go to the hospital. And the good news? I know the book, my father told them... and got the gig.
A doctor on keyboards, wasn’t he in Electric Mayhem?
 
(My kids, 21 and 19, are going to love that).
The younger 'laughed until Animal died' - it's not Easter, but the elder noted that resurrection had occurred in time for the World Cup half-time show 🙂

(Hey, if Spinal Tap could dispose of drummers in mysterious circumstances, then perhaps the (to my mind, wonderfully and sometimes movingly) wholesome Muppets could do quite the opposite!).
 
Obviously, I'm talking about the revival band. Specifically, I'm wondering if anyone here was working with the first iteration of the revival band back in the late 50's. It's a long shot, I know, but I'm curious. I own two horns used by a Mr. Edward J. Obusek. My Buescher 156 tenor and recently found and acquired Pan Am 68N clarinet were his. I'm friends with the family, and they gave me these horns for next to nothing. The 156 received the best restoration care under the best tech currently in my area. We maintained the integrity as much as humanly possible, and even restored a few things lost by seemingly one trip to another tech decades ago. (It was just a single missing snap. My guy had the replacement, but he noted that it was intentionally taken out. It irked both of us. 🤣) I just received the clarinet last week, and think that I'm going to replace the pads and corks on that one myself. I don't have Nortons and snap-ins to contend with. And, let's face facts, a clarinet is a bit easier to maintain. The easily chippable veneer on this one is PERFECT. I'm well brushed up on the points if failure on this model, and have some thoughts on how to prevent them. So, I want the overhaul on me. Really just pad and cork replacement with a bit of re-enforcement around the edges of the joints. Oh yeah, and some oil in the rods. Keys are working fine with no binding, but it was kept in a dry place. The glued on toneholes are in place and are perfect. The pad leather disintegrated from the seats inwards, but it still plays... eh, alright. Should be worse. These large bore clarinets seem to be forgiving.

The reason for my asking came from how much this particular man loved playing up until his last days. He passed in 2018, suffered from dementia in his final years, and I never had the pleasure to know him. Playing on his preferred equipment, I at least have a bit of an idea of how he thought. I have his old mouthpieces and even old reeds, so I can find equivalent reeds to try the mouthpieces out. It's been enlightening. The family is also scanning some old Polaroids of him playing on the bandstand when these horns were brand new. It's honestly a pretty cool blessing to have.

I'm just looking for more stories and info from former band members of that era. What was it like touring? If you knew Ed, all the better. Eventually, I'd like to make a digital time capsule of sorts. Gentlemen of this era worked as hard or harder than I have. It's very easy for me to document my successes and failures. We have phones that can do all of that now. The average PC can also create studio quality recordings. Past generations didn't have this luxury. Still, this era deserves our respect. We all know the name brand players of the time, but a lot more was going on in the music scene. Those other musicians deserve some recognition whenever they can get it. I'm just contributing where I can, because I know that these horns have some untold stories.
You are probably aware of this, but if you aren't, Glen Miller's archives are part of American Research Center's collection at The University of Colorado- Boulder. It could possibly hold textual material and 3d objects from that period as well.
 
I played with Tex Beneke in the 1970’s a few times, but it was pick up work only. At that time he toured with a rhythm section and lead trumpet, and hired locals to fill out the band. These were special dance gigs, locally promoted and perhaps sponsored by some group or other. As I recall, the gigs paid a bit more than scale, and there was travel involved (meaning a few extra pennies per mile as they were more than 50 miles from home), but were otherwise unremarkable.

Since a great deal of my time then was spent on the other side of sober, I have only dim memories of those gigs so can’t be of much help to you S80.
 

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