Indústria Irmãos Galasso Ltda.
Rua Castro Alves, 373
Liberdade / Aclimação district
São Paulo, Brazil.
This address appears in a Brazilian trade directory of musical instrument manufacturers dating from the early 1980s.
The original company was called Indústrias Irmãos Galasso.
It was based in São Paulo, Brazil.
Brazilian corporate records indicate that it was established on July 26, 1966.
The company manufactured wind instruments, including saxophones, trumpets, and clarinets.
From 1983 onwards, the brand and its equipment came under the control of Humberto Rodella and Gope.
An article about the Galasso brothers:
Irmãos Galasso
Click on the newspapper page
An interesting article:
rafaelstuart.blogspot.com
Cordialement...
Translate of the page:
THE OPERATORS
GIVE MUSIC
'Irmãos Galasso' is a São Paulo factory of sopro instruments. Making sax, flutes and clarinets - made by 14 people who work in an artisanal way producing an average of 50 instruments per month.
The factory installations are more like an office, where industrial sophistications are absent. His main attraction is his dedicated instrument assemblers -- a profissão em vias de extinção.
Galasso is installed on the quiet streets near Aclimação, in São Paulo. A wooden door as you say "Careful. Bravo Puppy", I'm not sure if it's right or not right. Logo uma fe-ra preta me fareja e se põe a pulsar. Scared by the reception, I wait to be attended to by someone. It's Nivaldo who sees me receive the logo as he takes it inside the office, where some operators precisely manipulate several sax in the assembly phase.
The instrument assemblers of Galasso have points in common in the history of their profession: they are all in need of activity because their country, also assemblers, will initiate them. All of them are antiques in the profession and in the firm. In fact, they do not want the same profession for the children because they allege that the salary is not enough to support a family. In fact, a monthly income that revolves around two 12 thousand Cruzeiros should not motivate the most young people to continue pursuing their country career. Mainly, because it is a profession that requires a high degree of specialization. To be an assembler you need to be a welder, fitter, polisher, and also a lathe maker.
There are few instrument assemblers in Brazil. "Caso o SENAI does not create a school, this profession will be extinguished quickly", guarantor or "seu"
Alfredo, o mais anciente da Galasso. "Seu" Alfredo did not know how to lift his hair so that he taught his profession to all of his four sons. "My filho is an economist, I don't want him to take a minha profissão. Even when he became interested in music, I wasn't happy. I made a sax for him, but I breathed a sigh of relief when he gave up the instrument. A function of a musician is all about us, "despite both being beautiful," says "seu" Alfredo.
Sindicato dos brinquedos - The instrument assembler's salary was better. In 1944, the category was affiliated with the Metallurgical Union. However, from that time on, the Union of Brinquedos and Musical Instruments was added. Com isso, a class, very reduced, lost very much. "The ferramentiro and the lathe operator earn more than 70 cruzeiros per hour, while we, who do the same type of work as them, earn 55", says "his" Antônio Luiz, who began his professional career at the age of 14, and also raised his hair for the rest of his life, at the age of 77, ainda faz instru-
ments.
To learn this trade you must work two years, not least as an assistant. José Alves da Silva, who has had a year as an assistant and has said very well in the opinion of his colleagues
Neuza Ribas
--OS
But later on, I don't want to continue in the profession. He intends to return to Pernambuco, his land, and set up a business on his own. Despite enjoying his activity, José has many difficulties supporting his family.
We are all artists -- Even dissatisfied with the low salaries "and the fact that this is the factory that pays the best in the whole country," guarantor Pedro Idalino of the instrument assemblers gostam very much from their profissão and falam dela with certain pride: "We are all artists. Our work is an art that, unfortunately, vai Because of this salary and all the specialization that we need, no one will feel encouraged. Here it is, every month, a lot of work, but we don't have to work for more than three months," says Nivaldo.
My neighbor in the street of one of them offers me a cup of coffee. I'm thinking because a professional is so strange that he is not paid. Nenhum let them know how to answer me. Pergunto sees no brigam to return to the Metallurgical Union. Seu Pedro Idalino comments, while delicately hanging on a sax that has already been assembled: "We need a leader. And it is difficult to see a Lula from a class on the way to death."