This is a problem with the "cart leading the horse", IMO. AI is a good servant but a poor master. Thus, human intervention or supervision is necessary prior to publication. But, the masters of these companies will do what they do, only when sales drop is when they take notice. Emphasis has been to push products, reduce staff, and as long as money is saved is more important regardless of what the customer thinks.I have recently noticed a couple of examples of what is obviously chatbot-written garbage being used as a description of an instrument on eBay. It's particularly striking when the AI rubbish mis-describes a sax with a specific market or intended use. I was looking at an ad for a Trevor James Alphasax, an instrument carefully designed for a very specific use-case (kids taking up the sax at an earlier age than would normally be feasible with a standard alto). Somebody reading the blurb and expecting to get a standard sax could find themselves getting something not suitable for their needs, as the Alphasax, by design, doesn't play the full range of notes. In this case it really didn't help that the title said it was a TJ The Horn, which it clearly wasn't.
The question is, should this crap be banned? Leaving aside, that is, how to do so. I can see a couple of problems. Firstly, eBay don't really care if someone is misled by a sale, they just want their commission. Then there's also the fact that eBay staff know nothing at all about musical instruments, so how would they know whether the AI garbage actually mis-describes an item for sale? I wonder if it's possible to create some AI to spot and filter out AI generated content?
Why get so frothed up over this. Wait until most of the music on the radio is AI written and produced. Let’s get frothed up then.Unfortunately, AI has become the new marketing label, in the way that 'digital' and 'i-something' has done previously. Various news organisations, including the BBC, have complained to Apple that their AI new summary service is in effect creating fake news and labelling it BBC or WSJ etc. The news this morning says that Apple, having previously said 'nothing to see here' Apple has now deactivated the news summary mechanism.
As someone who has worked in IT for financial services for 40 years I recognise this all too well. The majority of software vendors are snake oil merchants promising miracles will be performed by their latest "Instant IT Success" product.
I have yet to see any real evidence that anything is a replacement for solid analysis of data and systems and building IT system properly. Yes, new tools do come along and they can make the process quicker and better, but they are not a replacement for properly understanding what is going on.
I can tell various stories of significant IT systems either ending up in the bin, or have had to be significantly redeveloped because an idiot in a shiny suit believed the snake oil merchant and didn't go and talk to the people who understand the data or the systems.
AI is the latest brand of snake oil. There are some aspects, with proper algorithms and suitable data, that can turn repetitive complex tasks into the click of a button. Examples where this is working is the ability to analyse images for tumours. That works because the requirements are tightly defined. "Create marketing fluff" is not tightly defined and that's why gibberish is created.
Just because the technology exists, does not mean it is useful or useable - certainly not in all cases.
Do you know if there are statistics on how much there currently is on the radio (or streaming channels)?Why get so frothed up over this. Wait until most of the music on the radio is AI written and produced
I don’t know Pete. I do know that AI is advancing in leaps and bounds. If used as a tool to create I don’t mind, but if it’s BiaB-like with no musical human input then I’m against going that far. Unless it’s loads better 🙄🤣Do you know if there are statistics on how much there currently is on the radio (or streaming channels)?
It may well be that there is a lot that on there that is identified as such. There is no legal obligation I’m aware of to declare whether a trac is written, performed, or produced by AI
I don't think the Turing test has collapsed, it's still easy to tell whether you are are 'conversing' with a human or 'robot'.Well, the current crop of various AI systems have accomplished amazing things. Protein folding, the collapse of the Turin test, speeding up animated graphics...
.... And what's out there now is at the Model T-Ford level (And they're damaging the environment like cars!) - the first mass production.
Beyond doubt the criminal mind (and I included capitalists in that) is much better at exploiting the technology than in the "good old days".
Easy with the freebie tools ...I don't think the Turing test has collapsed, it's still easy to tell whether you are are 'conversing' with a human or 'robot'.
When sampling first became widespread I remember a huge backlash against it, from musicians and the unions worldwide. They were unable to stop it or even contain or regulate it except in very specific circumstances.Many of us use orchestral libraries for writing, and they are very good indeed. A great way to learn for the non-natural genius. And used for much film and TV of course.
Your drummer mate would have been programming drums for people for the thick end of a decade at that point. You can buy the sounds that Roger Nichols created for Wendell for a pittance, and they are still excellent now, if you like the drum sounds used on Gaucho and The Nightfly - many don’t, but they work extremely well in a busy mix.In a movie made of Michael Jackson's last rehearsals for his European tour just prior to his passing in 2009, his band in places sounded like a full orchestra. However, it consisted of 4 keyboardists, drummer, bass player, rythm and solist guitarists, and lead doubling musicians on various string, woodwind and brasswind instruments, maybe a total of a dozen or less. (It's been a while since I watched it.)
Back in the late 1980's, I remember during a lunch break, Andy, our drummer with the military reserve band I was in the LA area, discussing writing whole drum tracks on a drum machine for songs for a recording studio. They paid him for the work. This meant that a drummer did not have to present for the recording. It was money, he needed the cash, but it did not pay as well as being live during the recordings. They would simply dub in his track through their drum machine as many times as needed to get a good take. I imagine it is the same with a keyboardist.
I've listened to the backing of today's pop music singers. At times, I can recognise that it is not a real live band. An even greater surprise was listening to various recordings of songs sung in Spanish from Latin America. I was surprised to hear and it was very obvious, the backing band was actually a full midi orchestration done on earlier or less expensive keyboard workstations.
IMO, a woodwind player who writes midi tracks can make a digitised sax, trumpet, trombone, etc. sound like these instruments with proper accenting of notes, separation of notes, and dynamics versus someone who is only a keyboardist or pianist. I know this from my playing the keyboard and listening to various midi renditions.
Me thinks that modern midi technology is more and more dispensing with musicians.
I find it easy for myself without 'tools'.Easy with the freebie tools ...
Well, ok there isn't total consensus about this one - but a raging debate does indicate that the barbarians are at the gates.
