I have 4 Bambers - 2 for tenors (very open) and 2 for alto (very close). I didn't choose the openings...I just bought them second hand many years ago (what was on offer). Only one of them (the Concert 4 - Alto) wasn't that "impressive"....until I've tested it on a M6 (I've just repaired recently) - never played a 6M before so there is an element of a new setup here...
Apparently the Concert 4 is supposed to be a copy of the Selmer Soloist (horseshoe chamber) - but the Bamber sounds much better than my Soloist E on my Conn 6M despite of the fact I feel more confortable (and sound better) with larger openings...unless, this Concert 4 had been opened by some skilled pro in the past.
In fact, there are some telling signs and maybe many of these "cheap" Bambers have been bought by experienced players and technicians to experiment a bit? (eg. opening and refacing etc.)...and maybe re-sold after a quick testing not realizing they were "chucking" away perfectly sounding if not greatly improved MPs?
In fact, in my case, I'd rather keep the Concert 4 and sell my Soloist E (substance above all).
Apparently the Concert 4 is supposed to be a copy of the Selmer Soloist (horseshoe chamber) - but the Bamber sounds much better than my Soloist E on my Conn 6M despite of the fact I feel more confortable (and sound better) with larger openings...unless, this Concert 4 had been opened by some skilled pro in the past.
In fact, there are some telling signs and maybe many of these "cheap" Bambers have been bought by experienced players and technicians to experiment a bit? (eg. opening and refacing etc.)...and maybe re-sold after a quick testing not realizing they were "chucking" away perfectly sounding if not greatly improved MPs?
In fact, in my case, I'd rather keep the Concert 4 and sell my Soloist E (substance above all).
