Miscellaneous A GAS-Free Player?

When I decided it was time to buy a new mouthpiece and when I decided it was time to buy a new sax (both tenor and alto), I played every horn and mouthpiece I could find (well, everything under £4000 anyway). I went through Sax.co.uk's entire stock, the same for Howarth's of London (both new and 2nd hand).

It's getting to the point where I think I'll be doing this all again as I think there might now be a better alto out there for my needs.
That’s making a well thought out informed decision. Your experience is greater than a few years ago. More refined.
To me GAS is closer to spontaneous greed that’s entirely unnecessary.
 
I would like to give a hat tip to my Six - yes 6 - D, C, Bb, Eb, F and Low D tin whistles.
Also my D, C and low A reed flutes (Nay) (excluding my set of plastic ones)
A Tenor and an Alto Sax; and a Clarinet.
And an underused ePiano.

Pretty GASsy, I guess.

I thought I was done but, then I saw this

View attachment 32085

😘

Mind you - £15.90...
No link ! 😭😭😭
 
I would like to think I’ve pretty much stopped adding to the collection.

The main 4 I use are :
Sop - Yanagisawa S991 since 2013 (S6 from 1982 to 2013 - still got it)
Alto - Keilwerth SX90R since 2000
Tenor - Keilwerth Shadow since 2007 (EX90 from 1992 to 2007 - still got it)
Bari - Yanagisawa B900 since 2002

I can’t remember how long I’ve had the PPT mouthpieces I use.
 
With all the talk recently about buying, selling and wishing, I started to wonder how many of you bought gear that worked for you and you stuck with it?

I found out recently that I've been playing for 8 years now. In all that time I've bought two altos (the 1st one was a Selmer Modele 26 that had a lot of 'personality' that I found in a junk shop. When I realised I liked playing the alto, I got a better one that I've played ever since) and two tenors (the 1st was a Trevor James that really was a spur of the moment purchase from Sax when they were in Denmark Street. After a good few years I managed to find a Keilwerth MKX that I've loved ever since).

Two alto mouthpieces, three tenor 'pieces, three straps, one sax case and that's it.

I can't be the only person who found gear that works and stuck with it ... can I?
I am curious to learn what one sax case works for both alto and tenor.

As to the rest, there was a time when I played sop/alto/tenor in a fusion band and needed all three voices. In yet another time, I was playing tenor and bari after moving to a new area and was making my way into the local big band scene in two different bands. For a brief time, I did cover calls for sop and alto, but tenor is my Voice, so once I established myself, I returned to my focus on tenor.

I freely admit that I have experienced fits of experimentation. About ten years ago, I reached what I call “Peak Tenor” - I owned five Borgani Jubilee tenors, TH&C, Big B, and full pearls Super 20. I downselected to the best two Borgani tenors and had them rebuilt to my specs. I am now down to One. I agree with Pete regarding mouthpieces - fewer is better. I can cover all my needs with one classical mouthpiece (Morgan 6C) and one multi-purpose piece (Phil-Tone Intrepid 7*) for all the rest (jazz, rock, R&B, etc). I have sold all my other saxes and feel better for it. That’s my arc.
 
I would like to give a hat tip to my Six - yes 6 - D, C, Bb, Eb, F and Low D tin whistles.
Also my D, C and low A reed flutes (Nay) (excluding my set of plastic ones)
A Tenor and an Alto Sax; and a Clarinet.
And an underused ePiano.

Pretty GASsy, I guess.

I thought I was done but, then I saw this

View attachment 32085

😘

Mind you - £15.90...

Ooh, I bought my first penny whistle this winter so that my 80's Show could play 'that' Christmas song. I have to say that I found it quite challenging as it required no breath pressure at all to play perfectly. Over-blowing is so easy that it took me a lot longer than I ever thought possible before I could play it with anything remotely resembling consistency. And then playing it on a live stage, with a full band and dirty great big PA was a whole new level of breath control. Fun but hard work.

Phone audio, but you get the idea. :happydance:
 
Thanks enabling a weakness ….You really didn’t need to go to far extremes to help out. Thank goodness they’re closed until January 5th. Although I did send an inquiry if they ship to USA.
I’ve had my eye on this one as I’m cheap on GAS.
 
I’ve had my eye on this one as I’m cheap on GAS.
Indeed

 
Indeed

You sir are brutal company :confused:. It’s 13°c outside. 18° inside shed. A fine Friday night @ 18:38… and all I have is a pipe dream.

IMG_2002.webp
 
I bought my current alto in 1975, and current tenor in 1978. I now have what I laughably call “back up” horns for these; in reality, I had money and tried a few alternatives. I’m still keeping my main horns.

Soprano is a little less definitive - I have 4 (well, 3 1/2, the Martin has been in pieces for several years. Maybe this year I’ll put it together…) None of them are perfect, which is why I keep looking.

Clarinet and flute, 2 each. 1 good pro instrument, and 1 student model, in both cases. 1 piccolo, 1 alto flute, 1 bass clarinet, all “intermediate”, which means good for doubling.

Mouthpieces are a different story altogether.
 

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