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You forget that people need something to brag about.I’ve never quite understood why we should rely so heavily on a single factor like lacquer material or color, when the sound production of a saxophone is far more complex, and the variation between two instruments of the same model is undeniably noticeable.
For me, if:
-a saxophone is fully serviced
-small details and personal adjustments are made according to the player’s preferences
-a compatible mouthpiece and reed combination is found that truly helps the player achieve the sound they have in mind
-and the player has the experience to properly evaluate all of this
then the lacquer factor becomes so insignificant that it relates more to aesthetics than to sound.
And I challenge you right now to prove me wrong if I tell you that a reed dipped in blue ink is the perfect recipe for playing the blues! Nothing else really gets you there!


