TomMapfumo
Well-Known Member
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- Skabertawe, South Wales
On Wednesday 13th March we attended the above gig at Swansea Jazzland. It was a great evening, devoted to the music of Miles Davis, and some pieces written by Seabrook (pianist, composer etc.), inspired by the great man.
MILESTONES is the band formed by Seabrook, a sextet consisting of several notable British jazz musicians, including Alan Barnes (alto/bari sax) Martin Shaw (trumpet/flugel), Ian Price (tenor sax), Paul Whitten (bass) Spike Wells (drums) and Terry Seabrook.
The gig featured the complete "Kind of Blue", which was fascinating to listen to, but I found it fascinating to watch the three lead musicians and make some reflections, particularly when I imagined them as being Cannonball Adderley, Miles Davis and John Coltrane respectively. Given that I was most struck by the alto sax and trumpet parts which seemed to be the dominant lead parts, with trumpet shading it. On the other hand the tenor sax seemed to feature less and would generally appear third of the horn section.
Similarly I was aware of how tight the structure of the music was throughout, and where soloing was never that long. I suppose my main reflection was that John Coltrane almost had a bit part in proceedings, and was not surprised that he set up a quartet, with no other lead instrument, a short while afterwards.
Anyway, MILESTONES are well worth seeing, especially if you are unfamiliar with the "Kind of Blue" album!
Kind regards
Tom
MILESTONES is the band formed by Seabrook, a sextet consisting of several notable British jazz musicians, including Alan Barnes (alto/bari sax) Martin Shaw (trumpet/flugel), Ian Price (tenor sax), Paul Whitten (bass) Spike Wells (drums) and Terry Seabrook.
The gig featured the complete "Kind of Blue", which was fascinating to listen to, but I found it fascinating to watch the three lead musicians and make some reflections, particularly when I imagined them as being Cannonball Adderley, Miles Davis and John Coltrane respectively. Given that I was most struck by the alto sax and trumpet parts which seemed to be the dominant lead parts, with trumpet shading it. On the other hand the tenor sax seemed to feature less and would generally appear third of the horn section.
Similarly I was aware of how tight the structure of the music was throughout, and where soloing was never that long. I suppose my main reflection was that John Coltrane almost had a bit part in proceedings, and was not surprised that he set up a quartet, with no other lead instrument, a short while afterwards.
Anyway, MILESTONES are well worth seeing, especially if you are unfamiliar with the "Kind of Blue" album!
Kind regards
Tom