Mine's drawn and rolled tone holes.
They claim that they put "the same amount of hand work and attention into their plated models as their sterling silver models". Obviously I have no way to assess that claim. Knowing that maillechort Louis Lot flutes are considered just as good as sterling ones, I opted for the model with plated keywork (actually superior to sterling - harder and more resistant to wear), plated body, sterling silver head. I went for the silver head model because with that model you get a choice of heads.
I will say the thing plays beautifully; the action's just as slick as the Haynes and Powell top models, at least to me, and it's miles ahead of my old solid silver Armstrong. In any other world (as you alluded to) this would be a top professional instrument - only in fluteland where prices are supported by upper-middle-class parents who want to get "the best" for their high school flutist daughter would the thing I'm playing be considered "intermediate".
They claim that they put "the same amount of hand work and attention into their plated models as their sterling silver models". Obviously I have no way to assess that claim. Knowing that maillechort Louis Lot flutes are considered just as good as sterling ones, I opted for the model with plated keywork (actually superior to sterling - harder and more resistant to wear), plated body, sterling silver head. I went for the silver head model because with that model you get a choice of heads.
I will say the thing plays beautifully; the action's just as slick as the Haynes and Powell top models, at least to me, and it's miles ahead of my old solid silver Armstrong. In any other world (as you alluded to) this would be a top professional instrument - only in fluteland where prices are supported by upper-middle-class parents who want to get "the best" for their high school flutist daughter would the thing I'm playing be considered "intermediate".