RayL
Member
- Messages
- 20
- Location
- Carshalton, UK
Hi
This is my first posting to Cafe Saxophone (thank you to Stephen Howard for the link via the Haynes manual). I've had the sax about four months (John Packer 042 tenor / Yamaha 4C / Rico Royal 2s) and I'd like to be bold enough to ask a question and make an observation.
The first is about picking up the sax. The advice seems to be that for safety it should be picked up by the bell. This leaves fingermarks on that lovely shiny surface. Is there such a thing as a 'sleeve' of material that would slip over the outside and inside of the bell to a depth of, say, five or six inches? For the inside end it would have a softly sprung ring to keep the airway open, and for the outside a loop of elastic to make it grip the bell. Obviously this would be a rehearsal-only device - too much danger of ribald comments about 'stocking tops' at a gig. I've scoured the 'sax accessories' ads but there's nothing similar. Or do sax players simply resign themselves to polishing off their fingerprints at regular intervals?
The observation is about playing in small bands with non-readers. Having played guitar in various rock and pop bands since the 1960s there has never been a need to learn to read music - it's all head arrangements learned from recordings and from watching other (better) musicians and from that osmosis that comes from living with the music for 50 years. Now I seem to have entered a land where reading the dots is sort of expected as the way to progress with the sax.
Frankly, I'm not sure I've got the inclination. If I want to make a contribution to the bands that I play in then I need to learn the fingering for about two and a bit octaves more or less in one go (to be able to play in any key, particularly the 'guitar' keys of A and E) and also to learn the 'real' names of the notes that I am playing so that if the band comes up with a tune in the key of G then I'll play the right notes and not something two semitones distant. The same principle applies when playing along to records or backing tracks.
Does anyone else feel the same?
Ray
This is my first posting to Cafe Saxophone (thank you to Stephen Howard for the link via the Haynes manual). I've had the sax about four months (John Packer 042 tenor / Yamaha 4C / Rico Royal 2s) and I'd like to be bold enough to ask a question and make an observation.
The first is about picking up the sax. The advice seems to be that for safety it should be picked up by the bell. This leaves fingermarks on that lovely shiny surface. Is there such a thing as a 'sleeve' of material that would slip over the outside and inside of the bell to a depth of, say, five or six inches? For the inside end it would have a softly sprung ring to keep the airway open, and for the outside a loop of elastic to make it grip the bell. Obviously this would be a rehearsal-only device - too much danger of ribald comments about 'stocking tops' at a gig. I've scoured the 'sax accessories' ads but there's nothing similar. Or do sax players simply resign themselves to polishing off their fingerprints at regular intervals?
The observation is about playing in small bands with non-readers. Having played guitar in various rock and pop bands since the 1960s there has never been a need to learn to read music - it's all head arrangements learned from recordings and from watching other (better) musicians and from that osmosis that comes from living with the music for 50 years. Now I seem to have entered a land where reading the dots is sort of expected as the way to progress with the sax.
Frankly, I'm not sure I've got the inclination. If I want to make a contribution to the bands that I play in then I need to learn the fingering for about two and a bit octaves more or less in one go (to be able to play in any key, particularly the 'guitar' keys of A and E) and also to learn the 'real' names of the notes that I am playing so that if the band comes up with a tune in the key of G then I'll play the right notes and not something two semitones distant. The same principle applies when playing along to records or backing tracks.
Does anyone else feel the same?
Ray