rcharlier
Member
- Messages
- 18
- Location
- Detroit, Michigan USA
(I'm sorry if any of this has been covered before)
Last week I got the OK from my wife to "put together a saxophone family" (as I put it to her). As such I was allowed to purchase a soprano, an alto, and a baritone saxophone (I already have a tenor). I'd love a bass and contra bass, but I didn't get in that with her. This was one of those "in the years to come" agreement, not an an agreement to finish the goal all at once!
Rule #1 broken: I bought a saxophone sight unseen from eBay. I had told myself that I would never buy a saxophone without looking at it and playing it. The saxophone was four hours away, I could have made a weekend trip to go see it, but I figured, could it be that bad? There are so many "deals and steals" on the internet, I couldn't resist. I thought I covered all of my bases, and I thought I knew better.
Conn Pan American Alto - pretty old, part of the reason I wanted to see it.
Unpacking the saxophone, I liked the case that it came in. It looked like a vintage piece of luggage, very cool looking to me.
Opening the case, I found that all of the questions I had thought to ask the seller were answered truthfully, and there were no mechanical surprises when I received the horn. Everything with the saxophone itself was exactly as presented, in amazingly good shape for a saxophone that is most probably 70+ years old. The horn body is in really great shape, the lacquer is better than most. Pads are acceptable. Testing, it really does play "the whole range".
One big thing I forgot to ask? The case the horn came in smelled moldy, terrible, and that smell worked its way through the horn. Nothing that some Febreze and a very long airing out won't fix, but quite a surprise.
Rule #2 broken: I should not have purchased an alto. My banana hands made the alto look like a kid's toy. I remember now why I stopped playing alto and moved on to baritone and now tenor. I feel that holding that alto might have been a sign that I need to stick with my tenor playing and focus better instead of trying to broaden out my collection.
I'm thinking that when my saxophone family grows, it will skip the alto generation.
What other questions do you ask when you purchase an instrument sight-unseen?
How many here own and regularly use multiple saxophones? What are your thoughts to the pros and cons of having and using multiple horns either for practice or for live gig play? (Aside from the obvious reason, "I can't play solo x with saxophone y because it doesn't work or sound right").
Last week I got the OK from my wife to "put together a saxophone family" (as I put it to her). As such I was allowed to purchase a soprano, an alto, and a baritone saxophone (I already have a tenor). I'd love a bass and contra bass, but I didn't get in that with her. This was one of those "in the years to come" agreement, not an an agreement to finish the goal all at once!
Rule #1 broken: I bought a saxophone sight unseen from eBay. I had told myself that I would never buy a saxophone without looking at it and playing it. The saxophone was four hours away, I could have made a weekend trip to go see it, but I figured, could it be that bad? There are so many "deals and steals" on the internet, I couldn't resist. I thought I covered all of my bases, and I thought I knew better.
Conn Pan American Alto - pretty old, part of the reason I wanted to see it.
Unpacking the saxophone, I liked the case that it came in. It looked like a vintage piece of luggage, very cool looking to me.
Opening the case, I found that all of the questions I had thought to ask the seller were answered truthfully, and there were no mechanical surprises when I received the horn. Everything with the saxophone itself was exactly as presented, in amazingly good shape for a saxophone that is most probably 70+ years old. The horn body is in really great shape, the lacquer is better than most. Pads are acceptable. Testing, it really does play "the whole range".
One big thing I forgot to ask? The case the horn came in smelled moldy, terrible, and that smell worked its way through the horn. Nothing that some Febreze and a very long airing out won't fix, but quite a surprise.
Rule #2 broken: I should not have purchased an alto. My banana hands made the alto look like a kid's toy. I remember now why I stopped playing alto and moved on to baritone and now tenor. I feel that holding that alto might have been a sign that I need to stick with my tenor playing and focus better instead of trying to broaden out my collection.
I'm thinking that when my saxophone family grows, it will skip the alto generation.
The interactive part of this story:
What other questions do you ask when you purchase an instrument sight-unseen?
How many here own and regularly use multiple saxophones? What are your thoughts to the pros and cons of having and using multiple horns either for practice or for live gig play? (Aside from the obvious reason, "I can't play solo x with saxophone y because it doesn't work or sound right").