Filton
Well-Known Member
- Messages
- 242
- Location
- Hampshire, UK
Here something I have been wondering about for a while. It isn't a problem that I have currently unfortunately but one that I am hoping will come along sometime ..
When it comes to choosing a sax, how does one evaluate horns for sound/tone to decide which is better than another.
Whilst the obvious answer is to play as many as possible and decide what sounds good, I often wonder how easy this is bearing in mind the affect of mouthpiece and/or reed to a tone.
If I play sax A and Sax B both with mouthpiece Z, A may sound nicer, but If I play B with mouthpiece Y could it sound better than A with piece Z ?
It seems that with so much variation in overall tone available via the mouthpiece it is a veritable minefield trying to choose... or am I over-complicating things ?
When it comes to choosing a sax, how does one evaluate horns for sound/tone to decide which is better than another.
Whilst the obvious answer is to play as many as possible and decide what sounds good, I often wonder how easy this is bearing in mind the affect of mouthpiece and/or reed to a tone.
If I play sax A and Sax B both with mouthpiece Z, A may sound nicer, but If I play B with mouthpiece Y could it sound better than A with piece Z ?
It seems that with so much variation in overall tone available via the mouthpiece it is a veritable minefield trying to choose... or am I over-complicating things ?