Tutorials
Shop
Supporting special needs music education
About
Forum guide
Rules
Support the Café fundraising
Mailing List
Pete Thomas
Forums
Forum list
Start a discussion
🎷 Saxophone Discussion
📖 Articles
Tutorials
More info
Saxophone Info
Beginners
Beginners impro
Impro & Theory
Mouthpieces
Saxophone Effects
Improve your Tone
Patterns & Exercises
Shop
NEW
Unfiltered
Latest activity
Log in
Register
What's new
Search
Search
Search titles only
Note
By:
Forum list
Start a discussion
🎷 Saxophone Discussion
📖 Articles
Menu
Log in
Register
How to install the app
How to install the app on iOS
NB: For Safari start at step 2
(Firefox only) Tap on the hamburger menu at bottom right
Tap on the share icon
(bottom of page)
Scroll down and tap on
Add to Home Screen:
Note:
This feature may not be available in some browsers.
Forums
🎷 Main Discussion 🎷
Saxophones: gear, playing, repair, impro
That 1930 sound
JavaScript is disabled. For a better experience, please enable JavaScript in your browser before proceeding.
You are using an out of date browser. It may not display this or other websites correctly.
You should upgrade or use an
alternative browser
.
Reply to thread
Message
<blockquote data-quote="Saxamofone" data-source="post: 494727" data-attributes="member: 8385"><p>I couldn't help but notice how the clarinet was sideways to the mic to get a nice balanced sound and about 1:56 the trumpet player walks up with his bell right on the mic. He actually didn't cram the bell over the mic - but it looked like he was going to at first and it brought back all the memories of sharing one horn mic and having the trumpet player stick his bell right up on the mic and the sound guy always assuming he could leave the mic gain the same for the sax solo. That's why I always had to play extremely loud setups back then (Guardala, Dukoff, Berg etc. .120 tip and #4 reeds) now I'm learning all over again how to play on more moderate setups.</p></blockquote><p></p>
[QUOTE="Saxamofone, post: 494727, member: 8385"] I couldn't help but notice how the clarinet was sideways to the mic to get a nice balanced sound and about 1:56 the trumpet player walks up with his bell right on the mic. He actually didn't cram the bell over the mic - but it looked like he was going to at first and it brought back all the memories of sharing one horn mic and having the trumpet player stick his bell right up on the mic and the sound guy always assuming he could leave the mic gain the same for the sax solo. That's why I always had to play extremely loud setups back then (Guardala, Dukoff, Berg etc. .120 tip and #4 reeds) now I'm learning all over again how to play on more moderate setups. [/QUOTE]
Insert quotes…
Verification
Post reply
Forums
🎷 Main Discussion 🎷
Saxophones: gear, playing, repair, impro
That 1930 sound
Back
Top
Bottom