MMM
Well-Known Member
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It is becoming more and more of an issue for me the fact that saxes are heavy around my neck (specially when I'm playing three at a time ))). It is seriously affecting my playing enjoyment.
I don't want to start another thread on slings vs harnesses as the subject has been exhausted.
What I'm wondering is, as keywork is the heaviest part of a sax and with so many lighter/stronger/modern alloys available today (rather than the traditional brass/nickel silver or whatever else is used for keys), why doesn't any manufacturer experiment with a light alloys for making keys?
I could put it down to cost, but if we look at the cost of a new pro horn, they aren't exactly cheap and a light saxophone would certainly break away from the rest of the pack...
(so a 'light' sax would cost even more!!!)
Ergos have been fixed (well for most people and for more custom keywork there's plenty out there to chose from), the feel of keywork can be adjusted largely by adjusting spring tension, sound has been fixed (just look at the affordable alternatives from Taiwan) plus the addition of infinite mouthpiece+neck combinations... surely a lightweight sax would be the ultimate in comfort and allow so many more people who currently shy away from bigger/heavier horns to spend more!
Does anyone with some insight into manufacture like to shed some light as to why this couldn't be achieved?
Puzzled from Epsom!
I don't want to start another thread on slings vs harnesses as the subject has been exhausted.
What I'm wondering is, as keywork is the heaviest part of a sax and with so many lighter/stronger/modern alloys available today (rather than the traditional brass/nickel silver or whatever else is used for keys), why doesn't any manufacturer experiment with a light alloys for making keys?
I could put it down to cost, but if we look at the cost of a new pro horn, they aren't exactly cheap and a light saxophone would certainly break away from the rest of the pack...
(so a 'light' sax would cost even more!!!)
Ergos have been fixed (well for most people and for more custom keywork there's plenty out there to chose from), the feel of keywork can be adjusted largely by adjusting spring tension, sound has been fixed (just look at the affordable alternatives from Taiwan) plus the addition of infinite mouthpiece+neck combinations... surely a lightweight sax would be the ultimate in comfort and allow so many more people who currently shy away from bigger/heavier horns to spend more!
Does anyone with some insight into manufacture like to shed some light as to why this couldn't be achieved?
Puzzled from Epsom!