What have I gone and done now! (Old thread)

Taz

Busking Oracle
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Rugby UK
Oh dear.... and ooops are two sentiments that spring to mind.
What exactly have I done I hear you all cry?
I've bought a dead sax. I found it hidden in the backroom of a music shop in Coventry and labeled as "Scrap." Its a "Dearman" (if anyone knows anything about these I would be very interested to here from you) It comes in a battered hard case and it has several pads (not spare pads, just several pads!) It seems at first glance to be fairly straight and a good tenor for a beginner's restoration project. I shall post some pictures as soon as I can.
No doubt I will be picking the brains of the likes of Griff, Pete, Steven Howard and Saxismyaxe, to name but a few of the tinkerers (professional and armature alike) on this site.
Before I start, I shall probably open up a few well buried worm cans, such as "To lacquer or to leave bare."
I'd like to hear your thoughts, especially if you've "Been there, ate the pie and wore the "T" shirt." Even if you haven't, I'd be interested in knowing what you'd do with a "blank canvas" so to speak.
My plan of action is to take my time with this and hopefully create a nice "Vintage" sounding sax. I plan to post lots of pictures as I go so that you can follow the restoration (demise) of this instrument and maybe, if you have any ideas you would like to share, then feel free to post them.
Now I'm off to the pub for a stiff drink

Part 2
Well here she is, in all her glory. Although she is almost unplayable, a few notes are possible, she is not in as bad a condition as I remembered from my first visit to the shop. The bell has received a knock, flattening the outer edge by a few millimeters, there is a small dent about three inches below the thumb rest. The left hand palm keys look to be slightly bent as does one of the pillars. When the bell received it's bump, the bell brace area was also damaged. this has been repaired but on the tube side the repair is of a very low standard. There are several very small dents around the body, but none that will effect the tone (when I can eventually get one ) and I believe most of the pads are history. There is only one pad missing although a complete re-pad is going to be on the cards. (Hopefully done by me)
The lacquer is in better shape than I first thought, although the way it is coming off is quite unsightly, this may improve after I have striped the sax down and washed it.
Other than that for the moment at least, she will gather a little more dust as I prepare my game plan and seek some advice as to where to start. She doesn't appear to have anything else written on her other than Dearman and the serial number which is 6643. Also the tone holes are not rolled.

Part 3
I could have sworn that I said in a earlier post, that I was going to take my time with this project...
As I type this post, the dreaded "Nitromors" is eating its way into that horrible old lacquer.
I sat down this afternoon and looked at the Dearman.
Suddenly this feeling in the pit of my stomach started to grow.... out came the tools. I couldn't stop myself
I started off by buying some self sealing sandwich bags, not cos tinkering with saxes makes you peckish, I thought they would be good for keeping small groups of parts together Then out came the camera, as I decided where to start, I knew that photographic evidence would be very helpful when it comes time to rebuild the old girl.
I had her totally striped down in about two hours, during this time I realised that this is not the first time that an amature has taken her apart, although to what extent I cant be sure (possibly a partial strip) Some of the rods that the keys pivot on had damaged screw slots and where very difficult to remove, also a general build up of crud caused a few problems. I think the rods will probably clean up ok
Once everything was "Bagged 'n' Tagged" (I've always wanted to say that ) I took the time to give the bodywork and the tone holes a good inspection. One pillar is slightly bent, but I think it may be ok to leave (Griff?) It is on one of the keys that was playable. Also one of the tone holes is warped, this is beside the bell support bar. As I said in an earlier post, she has had a knock at some time in her life, so I may need to get that professionally sorted.
Well its time to go scrub the "Goo" off and see what I'm left with.
Till the next exciting episode...

Part 4
"Well stone me and knock me down with a kipper" (a Kipper is a gutted and smoked herring (Fish) for our foreign readers, quite delicious for breakfast with a cup of tea) I just received an email confirming where my Dearman was made. It would appear that it was made by Rampone and Cazzani. I'm well chuffed (happy) at this discovery. Here is a copy of my reply from R & C:

DEAR PETER
IT LOOKS LIKE A TENOR PUT TOGHETER HERE IN OUR FACTORY.
FOR SURE MANY PIECES COME FROM HERE.
IT COULD BE A STENCIL MADE HERE OR AN ASSEMBLED HORN MANUFACTURED FROM R&C WORKERS AT THEIR HOUSES OR PRIVAT WORKSHOPS.
REGARDS

R&C SAXES

How cool is that?

I've not done any more on this beauty yet, but as soon as I get my technical head on I'll do some more and update you guys and galls!
 
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