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I get the feeling folks will either thank me or curse me for the information I am about to disclose depending upon the condition of their saxophone. Read no further if you don't want to take the chance of having to get your sax fixed to play its best.
The process is quite simple. Remove the mouthpiece from the neck of your sax and put the opening of the neck up to your ear like a stethoscope. Then finger low Bb and pop one of the lower stack keys open and closed. The F and the D keys work especially well. The resonance or "reverbration" of the sound you hear tells you a lot about the "integrity" of the air column inside the saxophone. The sound I like to hear after I have worked on a sax resembles that of a "tom-tom" with a nice "ring" to it.
Here are some links to some recordings I made using my SBA alto with roo pads. Notice there is no sticky pad noise present thanks to kangaroos who gave their all and a bit of Teflon powder.
Fingering low Bb popping F key then D key
Popping F key with small then larger leak in D palm key
Popping F key with small then large leak in side Bb key
The process is quite simple. Remove the mouthpiece from the neck of your sax and put the opening of the neck up to your ear like a stethoscope. Then finger low Bb and pop one of the lower stack keys open and closed. The F and the D keys work especially well. The resonance or "reverbration" of the sound you hear tells you a lot about the "integrity" of the air column inside the saxophone. The sound I like to hear after I have worked on a sax resembles that of a "tom-tom" with a nice "ring" to it.
Here are some links to some recordings I made using my SBA alto with roo pads. Notice there is no sticky pad noise present thanks to kangaroos who gave their all and a bit of Teflon powder.
Fingering low Bb popping F key then D key
Popping F key with small then larger leak in D palm key
Popping F key with small then large leak in side Bb key