Saxophones Tenor sax for a good alto player?

MerriSax

New Member
3
Hi all,
I have been playing alto sax for about 8 years and have recently passed my grade 8 :happydance: (currently have a Yamaha YAS280). I am continuing to play my sax however more as fun rather than doing lessons and I wanted to explore a tenor saxophone as well so was wondering if anyone knew of a good tenor that would suit my level of playing.
Thanks
 
Congrats on your Grade 8. And welcome to the forum.

If you like the YAS280, why not the YTS280? Other than that, I guess it depends on your budget and whether you want to buy new or second hand?
 
There's no reason you couldn't play any tenor sax you want to. I have short, stubby fingers, so only certain horns really work for me, but you may have a different experience. It really comes down to your budget and what feels and sounds good to you.

I'd recommend visiting a shop that has many different ones in stock and playing as many of them as you can until you find the one that says, "Take me home!"
 
I would say play as many as you can and see which feels the most comfortable 🙂

Congratulations on your grade 8

Jx
 
Thanks to all who have replied, I will have a look at the recommended ones but will definitely also go into a shop.

You definitely should. I went into a shop and tried 4 brand new tenor saxes, agreed deliberately all Selmers like my alto : 2 SA 80 Series II, 1 Series III and 1 Preference 54. Ended up buying the Series III because it felt easier and sounded better than the Series II. Would have happily bought the 54 but opted to stay within reason 🙂
 
If you're talking about buying a horn, and want a horn that you will feel good about for a long time, then I'd first find an mouthpiece the works for you. If you have a good sax shop that has lots of horns and mouthpieces I'd rent a tenor for a month and do a deal on renting/borrowing a bunch of mouthpieces. The horn at this point isn't as important as the mouthpiece. A good playable student tenor will work fine. The tricky bit is to give each mouthpiece a lot of time as some take a long while to get used to.

Side story: I'd heard that RPC mouthpieces were really good, so purchased one without trying it (typical for me living at the end of the earth with few choices). I tried it and thought "this isn't so great" and put it aside. Some time later I decided to try it again. This time it seemed OK. So I worked with it some more. It took nearly a month for me to get what that mouthpiece had to offer with it now being my favorite alto mouthpiece. If you can do this with a tenor mouthpiece, then I think you will have the best chance of finding an instrument that will be something more than OK for the money, or just buying a name brand that doesn't suit the sound you want.

Another side story: As said, I live in a very remote area, so don't have the ability to go try saxes first. So I went ahead had purchased several "top brand" tenor saxes when I took up tenor. The first was a YTS 61 Played fine, but not much exciting about the tone (for me). So I sold that and bought a Yanagisawa 991. It had better ergonomics and an OK tone, but again just didn't do that much for me. I then switched to a Grassi pro 2000. It was a bit better, but still not it. Finally (many years later) when I was in a big city I was able to go to a good sax shop and found more of what I wanted to sound like in a Martin. This now defined what I wanted. I still play Martins and also R&C horns, which are similar, but better ergonomics. If I lived in a decent sized urban center and someone had given me the advice I'm giving you, it could have saved me fifteen years and thousands of dollars.
 
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It takes me a number of hours (20 - 40) before i really understand what a mpce can do.

Others may vary. I have 2 SML Gold Medal 1 tenors, about 400 units apart in serial number . One is a good horn, plays well and is typical of SML (kinda cross between Super 20 and Mk6 according to some). The other is a magic horn, Intonation is great, incredibly responsive, tone is subtly richer and fuller than the other to my ears.

Take from that what you will.
 
Thanks for the replies
It takes me a number of hours (20 - 40) before i really understand what a mpce can do.

Others may vary. I have 2 SML Gold Medal 1 tenors, about 400 units apart in serial number . One is a good horn, plays well and is typical of SML (kinda cross between Super 20 and Mk6 according to some). The other is a magic horn, Intonation is great, incredibly responsive, tone is subtly richer and fuller than the other to my ears.

Take from that what you will.
If you're talking about buying a horn, and want a horn that you will feel good about for a long time, then I'd first find an mouthpiece the works for you. If you have a good sax shop that has lots of horns and mouthpieces I'd rent a tenor for a month and do a deal on renting/borrowing a bunch of mouthpieces. The horn at this point isn't as important as the mouthpiece. A good playable student tenor will work fine. The tricky bit is to give each mouthpiece a lot of time as some take a long while to get used to.

Side story: I'd heard that RPC mouthpieces were really good, so purchased one without trying it (typical for me living at the end of the earth with few choices). I tried it and thought "this isn't so great" and put it aside. Some time later I decided to try it again. This time it seemed OK. So I worked with it some more. It took nearly a month for me to get what that mouthpiece had to offer with it now being my favorite alto mouthpiece. If you can do this with a tenor mouthpiece, then I think you will have the best chance of finding an instrument that will be something more than OK for the money, or just buying a name brand that doesn't suit the sound you want.

Another side story: As said, I live in a very remote area, so don't have the ability to go try saxes first. So I went ahead had purchased several "top brand" tenor saxes when I took up tenor. The first was a YTS 61 Played fine, but not much exciting about the tone (for me). So I sold that and bought a Yanagisawa 991. It had better ergonomics and an OK tone, but again just didn't do that much for me. I then switched to a Grassi pro 2000. It was a bit better, but still not it. Finally (many years later) when I was in a big city I was able to go to a good sax shop and found more of what I wanted to sound like in a Martin. This now defined what I wanted. I still play Martins and also R&C horns, which are similar, but better ergonomics. If I lived in a decent sized urban center and someone had given me the advice I'm giving you, it could have saved me fifteen years and thousands of dollars.


Will definitely do some looking and trying in a shop and will keep in mind what mouthpiece I like.
 
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