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SOTM April 2023: Saint Louis Blues

ESJohn

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Location
Ohio USA
Hello everyone!
On a very lonely day in 1892, a 19 year old from Florence, Alabama found himself in Saint Louis, MO. He was at a very low point in his life. Sleeping on the cobblestones of the levy of the Mississippi River and wearing a jacket with no shirt under it, he would have had plenty of reasons to find his way back home. While there, he heard a woman lamenting the unfaithfulness of her man.
Those vivid memories stayed with him, and in the darkness of a long night in 1914, he penned The Saint Louis Blues. This man was William Christopher Handy, affectionately known today as W C Handy and as the Father of the Blues. This tune was only one of many tunes that he composed and published, but it is the one most associated with his name. I present this to you for your perusal.
Many thanks to Nigel for granting me this opportunity. I hope you enjoy listening to and playing the music!
 
I have no idea how they got there from here.
I think that is one of the most fascinating things about the tune. It has been played and arranged so many times throughout these past 100 plus years. I have seen tempos ranging from 60 to 160 with everything in between. It is open to so much interpretation and improvisation, but maybe that is how The Blues should be.
 
You may notice in the Dropbox, along with the backing track, that there are arrangements for saxophone, both tenor and alto, written by F. Henri Klickmann. There is even a C Melody arrangement (complete with piano accompaniment) that I could post here for anyone interested. Mr. Klickmann wrote several arrangements for the The Six Brown Brothers, a saxophone sextette that worked the vaudeville circuit and minstrel shows. It is said that that group popularized the saxophone in the USA.
Many thanks go out to Michael Worden and the Alfred Music Company for the research that they did to confirm that those arrangements are in the public domain.
 
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Easy tune to have train wrecks, what with the three different parts and the Habanera beat on one part.

You better talk the road map out with the band when you call this one.

On the plus side, everyone knows it cold so it's a good jam tune - as long as you set the road map. Or have a real strong rhythm section player (piano or guitar) to drive the band from one part to the next.
 
Interesting comment, Turf!
Here is another twist on the tune. I am quoting directly from his autobiography, Father of the Blues (c. 1941):
Page 122
"When St. Louis Blues was written the tango was the vogue. I tricked the dancers by arranging a tango introduction, breaking abruptly then into a low-down blues."
Page 123
"A criticism leveled at the St. Louis Blues by the trombonist of our band was that it needed a vamp, a vamp in the prevailing manner, to allow more time for the singer."
"Never. Never!" I exploded.
" But the next day a pause mark was placed over the final note in the introduction in order to favor the singer with the required delay..."
 
Great choice and I'm looking forward to hearing what people do with it.

Here is a wonderful live recording by the great Jimmy Witherspoon, a stellar rhythm section and the saxophone genius of Ben Webster and Gerry Mulligan. Mulligan doesn't solo on this one but he is a revelation with his bluesy playing elsewhere on the album.

View: https://youtu.be/OtnaZ4IyVFI


Maybe we'll get a vocal recording from @Colin the Bear or another singer ?

Rhys
 
Excellent, Rhysonsax! I know that version is played often by marching bands, but it is easy to picture couples on the dance floors of the 40's enjoying it! Thanks for posting!
 
Excellent, Rhysonsax! I know that version is played often by marching bands, but it is easy to picture couples on the dance floors of the 40's enjoying it! Thanks for posting!

I can also picture inebriated drinkers swaying gently on their own.

We had a particularly enthusiastic response at last year's beer festival and are playing for them again later this month.

Rhys
 

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