Mack
Well-Known Member
- Messages
- 553
- Locality
- Devon
I've been looking on YouTube for soprano players to learn from, and I've noticed how many players have that hard edged sound like Coltrane, Lacy etc. Some like Wayne Shorter and Branford Marsalis seem able to "back off" and use subtone to get a thicker, more complex sound when they want it, but this kind of playing seems quite rare. Why? Can anyone suggest players who take the opposite approach to Coltrane and Co?