Any tips from the experts on the gentle art of modifying reeds with a bit of B&Q fine grit sandpaper? I've never bothered before but maybe I've just been lucky with reeds. I've certainly never found any more than about 1 in 10 so unplayable that I've chucked them, but either I've become more picky or I had a bad batch of Javas because I found 3 of 5 in a recent batch about as lively as a lollipop stick.
So I went to work on them with a bit of the aforementioned DIY gear, left over from the weekend project of painting the front door. I always figured this was a technique for the experts, but I thought, what's to lose? The ruddy things were useless, so I could hardly make them worse. Amazingly, after a bit of trial and error, I have 3 perfectly good reeds that play the way I expect a Java to play. I must admit, it was all a bit random; a bit off the tip, blow - better response but still muddy sounding, a bit off the body - then a bit more - and bingo - we have reed perfection! A very satisfying evening - but I suspect there's a lot more science to it than that!
So I went to work on them with a bit of the aforementioned DIY gear, left over from the weekend project of painting the front door. I always figured this was a technique for the experts, but I thought, what's to lose? The ruddy things were useless, so I could hardly make them worse. Amazingly, after a bit of trial and error, I have 3 perfectly good reeds that play the way I expect a Java to play. I must admit, it was all a bit random; a bit off the tip, blow - better response but still muddy sounding, a bit off the body - then a bit more - and bingo - we have reed perfection! A very satisfying evening - but I suspect there's a lot more science to it than that!