SopranoSimon
Member
- 160
i want to play the poroit theme but cantfind it written for a soprano , its all too high key in the books
yes it would sound too squeeky on my sopranoIt's a tenor piece, but it's too high for soprano?
i want to play the poroit theme but cant find it written for a soprano , its all too high key in the books
yes it would sound too squeeky on my soprano
If you down load this:
Bugger the theory - in some ways, at least - playing a tune well is a good goal to aim at.
Indeed.
'Twas either Parker or Monk - possibly both.
Never fear, I will be expiating my sins with a visit to Pete's store in the near future![]()
Indeed.
'Twas either Parker or Monk - possibly both.
Never fear, I will be expiating my sins with a visit to Pete's store in the near future![]()
If you down load this:
https://mega.co.nz/#!BdsFHAKT!DhPOxGyICe7PlhqHIZjGM3C5FKh8ACFc4S3RpwRGZzs
and then this
http://musescore.org/
and read through this thread:
http://cafesaxophone.com/community/threads/if-you-miss-wiki.12038/#post-150432
you will eventually find it - and you can then transpose it to whatever key you want.
Be warned - 'The Pink Panther' theme is a deceptively simple tune to listen to.
The score doesn't look too hard, either... but...the score on wikifonia is not how Plas Johnson plays it...
Apart from anything else, the score doesn't indicate the falls (there is an Italian word for these things - glissando?). End of bar four, for instance, is a fall starting on F#.... and the same at the end of the theme.
Try playing the dots, then listen to Plas Johnson and Henry Mancini on youtube (there are several youtube versions). Plas Johnson is the one you hear on the film soundtrack... the 'original', if you like... and Plas is of course playing tenor...
Then try playing the dots, and listen to Plas again.... and so on.... again.... and again.
Getting the rhythm, phrasing and dynamics right - and sounding anything like as good as Plas Johnson - ain't something which will happen this year or next.. or the year after. That guy was a pro player for years before he recorded that....
But... have a go! HAVE A GO! It's only fifteen bars....
It is an easy tune (however it looks on the page) if you play it as written on Wikifonia ... but it won't sound like the film score 'cos that is NOT what PLas Johnson actually played (I don't know how Mancini wrote it...) The little extras - which aren't written, but which P. Johnson plays so bloody, marvelously, deliciously well... are the things to work on.... every now and again... learning a little each time... using your ears... and trying to imitate what you hear...
Be happy for the present to learn a basic version of the tune (as written, if you like... but far better substituting as much as you can manage of what you hear Plas Johnson playing (bar seven and eight, for instance, he doesn't actually play the E... he slides towards it from F, not quite reaching E (teasing the ears of the listeners)... and bars 13 to 15 are not as written... listen! But the falls/glisses take some work to sound right.)
Getting a basic version of a tune worked out, and then improving on it bit by bit over months and years, listening to how top players play it, is a good thing to do. You will learn a lot.
Bugger the theory - in some ways, at least - playing a tune well is a good goal to aim at.
And even though it won't sound like the film soundtrack - it is still a good tune to play around with and learn from (I used to play 'Walkin' Shoes' - a Gerry Mulligan baritone piece - on clarinet!)... and if you go on to tenor one day, you will have it made!