I would like to know if anyone has this combination, because i see a difference, and i hear a difference too.
If anyone has tried a Jody Jazz HR* MPC, mine is a 5M, together with FIbracell, 1.1/2 strength for alto...and if by chance you bought also another Fibracell for your tenor, you may have seen/tried as i did.
I saw, my Fibracell 1.1/2 alto reed, just covering the opening of the Mpc, i had to tioghten my embouchure to get a clear note.
Then i remembered i read somewhere, someone did try in a context, i can't recall, and tried the tenor Fibracell, on the JJ alto MPC....!!!! Revelation this one...
First the width of the tenor reed, fits perfectly to cover the width of the alto MPC, as it happens with the alto RJS select ones.
Secondly i get to loosen/relax my enbouchure, and play without forcing air.
Thirdly i get a full/ round and yea, what i like the most...a darker tone as well...
Am i doing something really wrong, or sinful?....it sounds so nice.
If anyone has tried a Jody Jazz HR* MPC, mine is a 5M, together with FIbracell, 1.1/2 strength for alto...and if by chance you bought also another Fibracell for your tenor, you may have seen/tried as i did.
I saw, my Fibracell 1.1/2 alto reed, just covering the opening of the Mpc, i had to tioghten my embouchure to get a clear note.
Then i remembered i read somewhere, someone did try in a context, i can't recall, and tried the tenor Fibracell, on the JJ alto MPC....!!!! Revelation this one...
First the width of the tenor reed, fits perfectly to cover the width of the alto MPC, as it happens with the alto RJS select ones.
Secondly i get to loosen/relax my enbouchure, and play without forcing air.
Thirdly i get a full/ round and yea, what i like the most...a darker tone as well...
Am i doing something really wrong, or sinful?....it sounds so nice.