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Playing only in subtone

BenJT

New Member
Messages
15
Location
Liverpool, England
Hi all,

First this is my first proper post (my other is in doorbell, and as of yet hasn't been moderated yet).

I have question about sub-tone. I listened to a few sound clips of the differences between full and sub tone on tamingthesaxaphone, and I think I may just play in the lower register in sub, with full tone for extra colour when I want it.

I do remember when I was learning the lower reg that I hated the honky sound it made, and I'm thinking that I managed to teach myself to play in sub only.

I don't know if it's possible, and if it's a good thing to do.

Any ideas from anyone?
 

jbtsax

Well-Known Member
Café Supporter
Messages
8,388
Location
Beautiful Springville, Utah USA
The subtone is rarely if ever used in classical style playing. It allows a player to play the lowest notes on the sax very softly with less effort or skill than playing them very softly with a full tone. I believe that subtone should be a choice to produce a certain timbre, and not be used as a crutch to play low notes softly.
 

BenJT

New Member
Messages
15
Location
Liverpool, England
I've listened to a lot Stan Getz and it certainly isn't as breathy as that. Perhaps I'm not playing in sub, and that's my playing style. Or perhaps I'm doing halfway between.

Anyhow, thanks everyone. I think I may try to practice a bit more with a clear lower reg sound.
 

kevgermany

ex Landrover Nut
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21,914
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Just north of Munich
jbtsax makes a really valid point. Learn to play the low notes quiietly without subtoning. This'll give you mor control. Then play the pieces the way you want to. It's really about getting control of the sax, and in the process getting it to sound the way you want it to all the time.
 

jeremyjuicewah

Well-Known Member
Messages
1,871
Location
Costa Blanca Spain
jbtsax many thanks for pointing that out. I cannot subtone worth a wotsit in the lower end, but I have learned, with one or two regressoins to play full tone softly, so maybe my epic struggle with the fog horn bit of the tenor was worth it. By the by, one of the biggest things I was doing wrong with the low notes was avoiding them. The more you play them, the better you get. When you are going for a soft low b and you realise that you not pushing enough air through to whisper a single word, then you have to make changes and eventually you get there. I bothered everyone on here for ages over this, thanks all, I have got there. (most of the time)
Mike
 

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