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After 30 years of playing on a #4 reed - I went out on a limb, took Mr. Thomas' kind advice - and ordered a Selmer Soloist E mp and a softer reed (2.5) the sound is amazing....
Here's the mouthpiece math word problem (100pts) -
If an E facing with a 2.5 reed sounds amazing on a Buescher Alto, what combination might provide similar results on a 1974 Selmer Mark VII tenor (currently played with #4 reeds on a Meyer MP marked Medium with a 5 tip opening)?
Here's the mouthpiece math word problem (100pts) -
If an E facing with a 2.5 reed sounds amazing on a Buescher Alto, what combination might provide similar results on a 1974 Selmer Mark VII tenor (currently played with #4 reeds on a Meyer MP marked Medium with a 5 tip opening)?
