Eric Marienthal has spoken about ligatures in his videos on ArtistWorks. One thing he said, which I tried and think is correct, is that if you use a two-screw model, you should tighten the bottom screw first, than the top a little less to allow the reed to vibrate more easily. It has been blithely stated on this site that you can "use a rubber band to hold the reed". Now, I'm not one to fear the slings and arrows here, so I submit to you that I have seen how sensitive the placement and tightness of the reed can change the sound. Eric even mentions a friend who purposely skews the reed a little to the right to get his sound. Try this, you'll see it's true. It may or may not be the sound you want. I have a collection of ligs, from Syos plastic rings, to one and two screw models. Right now I am following the advice and using a two-screw model as he describes and it does seem to work. I have a very short experience in these things, though, and I'd prefer the colorful Syos ligs on stage. Anyway, consider this an invitation to sound off on this topic,, do you think ligatures are important? It seems obvious to me that a truly great and experienced player will be able to power through any situation, but may prefer a type of ligature.
Shields up, if need be, for your participation. I believe beginners and new site members/visitors will benefit from a new discussion.
Shields up, if need be, for your participation. I believe beginners and new site members/visitors will benefit from a new discussion.
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