I am using a Link New York 6* on tenor, and was playing with one of Phil Rovener's ligatures, but fussing with it. When Phil sat in with the band I was in, he brought out a clarinet ligature, and tossd it to me, saying, "Put it on upside down, with the bars on either side of the reed, and the band across the top of the mouthpiece." That was about five years ago, and I have been using it that way ever since. It gives me a great big open sound, lots of control, and no problems with slipping or any of that nonsense.