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I'm impressed
For a long while I wasn't impressed by a Légère Studio 2.5 that made my tenor sound like a duck. I went back to it recently after concerted efforts to improve my emouchure and it still made me sound like a duck
But.... @MandyH posted a thread recenty about a bari Légère and it got me thinking; and buying. Like most of us I'm fed up with inconsistency between cane reeds, I can't be bothered to use a reed filing tool and anyway it's quite an outlay. I like the noise I can make with a Plasticover but they're as inconsistent as cane reeds, they can't be fettled and I've gone off the idea of putting that particular mix of hydrocarbons into my gob
I tried two strengths of tenor Légère Signature on Ponzol and PPT... 2.0 suits the Ponzol and 2.25 the PPT. They sound good and the big advantage is a consistent response to my attempts at altissimo. I can be sure that when I miss it's because of technique not because the reed is getting tired
I've now got a bari Légère Signature which has done some good things.... I'd say the main benefit is stabilising notes. I was having a fairly dreadful time with a Lawton B, no matter what the reed. Every so often I would optimistically assemble amd play the Lawton and quickly remove it, but with the Légère, notes are stable and the tone gooooood. Likewise on a Pillinger I seem to have minimised the fluffed notes
Tonewise I reckon the Lawton bari is spot on. I think the tenor lacks the woody timbre you can get with that elusive great reed but if I stick to Légère I think can expect quality control and few disappointments. If I eliminate the random variation between reeds I can concentrate on improving my technique. I've been filling a reed drawer with dodgy reeds to rival that of @Nick Wyver and I hope I won't need to keep it up
The Légère website says they will replace a newly purchased reed if you want a different strength. If they're as good as their word it seems like a good safety net for anyone taking the plunge
For a long while I wasn't impressed by a Légère Studio 2.5 that made my tenor sound like a duck. I went back to it recently after concerted efforts to improve my emouchure and it still made me sound like a duck
But.... @MandyH posted a thread recenty about a bari Légère and it got me thinking; and buying. Like most of us I'm fed up with inconsistency between cane reeds, I can't be bothered to use a reed filing tool and anyway it's quite an outlay. I like the noise I can make with a Plasticover but they're as inconsistent as cane reeds, they can't be fettled and I've gone off the idea of putting that particular mix of hydrocarbons into my gob
I tried two strengths of tenor Légère Signature on Ponzol and PPT... 2.0 suits the Ponzol and 2.25 the PPT. They sound good and the big advantage is a consistent response to my attempts at altissimo. I can be sure that when I miss it's because of technique not because the reed is getting tired
I've now got a bari Légère Signature which has done some good things.... I'd say the main benefit is stabilising notes. I was having a fairly dreadful time with a Lawton B, no matter what the reed. Every so often I would optimistically assemble amd play the Lawton and quickly remove it, but with the Légère, notes are stable and the tone gooooood. Likewise on a Pillinger I seem to have minimised the fluffed notes
Tonewise I reckon the Lawton bari is spot on. I think the tenor lacks the woody timbre you can get with that elusive great reed but if I stick to Légère I think can expect quality control and few disappointments. If I eliminate the random variation between reeds I can concentrate on improving my technique. I've been filling a reed drawer with dodgy reeds to rival that of @Nick Wyver and I hope I won't need to keep it up
The Légère website says they will replace a newly purchased reed if you want a different strength. If they're as good as their word it seems like a good safety net for anyone taking the plunge