Sack the bass player.
They ain't all that evil.
One is doable on a good VI, and two are beyond Parker, Brecker and even Rousseau.
Great during lightning storms as opposed to a Rhodes.
View: https://www.youtube.com/watch?v=K_PzG_qbn8U
View: https://www.youtube.com/watch?v=Co0aKg3EKGg
View: https://www.youtube.com/watch?v=BOLvaEnaVUo
Makes it a D11What happens to your notes if D is in the bass?
Yes. So context is everything. Same notes, but a very different prospect with a change of bass note - and that bass note doesn’t have to be a note in that original set of 4 (or more).Makes it a D11
Yeah.I think the whole “hearing “ inversions is a classical aural practice
Yes parallel 5ths and octaves. Unacceptable in Baroque times but beautiful in Impressionism.Yeah.
There's a YouTube channel/teacher who focuses on "classical" (late baroque ?) / four voice arrangement, harmonisation etc. .. so vertical chords and these lovely Rules about parallel 5ths etc. And he often has examples where this or that inversion will work while some other inversion won't... And, as Colin says, it's all about the sequence.