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As mentioned elsewhere, I decided to sign up to the Coursera free course in "leading an ensemble", primarily to learn about conducting, but so far it has been very informative about leading and directing rehearsals as well.
One of the threads on their forum is about Foot Tapping.
I am very aware that not only am I a tapper, but also a whole body mover - sometimes I bounce up and down, sometimes I sway from side to side.
Recently I have tried not to move, to internalise the beat, rather than externalise it. I can do this for a while, but then my body takes over again subconsciously and I have to make a concerted effort to stop.
In the video lectures of the course, it is very apparent that those musicians who are doing a degree in music are definitely internalisers of the beat - not a body twitches throughout the videos.
I spoke to my teacher about this, she also conducts our sax choir. She said that she notices that when she has beginners, their whole concentration is so taken up with getting fingers in the right place to play the notes that rhythm and tempo is very unlikely to be correct. She says she tries to encourage her pupils to tap once they get better at forming the notes so that the rhythm and tempo become better.
She said the amateurs who tend to get the rhythm and tempo wrong are the ones who haven't yet mastered tapping and playing at the same time. One of the lecturers on the course videos said that even music majors in strings in the USA are terrible at staying with the beat because they have not been taught to in the way that wind (brass and woodwind) players have, because the wind players tend to play in high school bands.
I try hard now to only tap my big toe inside my shoe, but when a passage become complicated I tend to get more enthusiastic with my tapping to ensure I am counting correctly (on early play-throughs, with time and familiarity, I tap less enthusiastically)
I have heard that it is very off-putting to the conductor, as no two people tap together!
So...are you a tapper? do you lead a group and have views on tapping.
One of the threads on their forum is about Foot Tapping.
I am very aware that not only am I a tapper, but also a whole body mover - sometimes I bounce up and down, sometimes I sway from side to side.
Recently I have tried not to move, to internalise the beat, rather than externalise it. I can do this for a while, but then my body takes over again subconsciously and I have to make a concerted effort to stop.
In the video lectures of the course, it is very apparent that those musicians who are doing a degree in music are definitely internalisers of the beat - not a body twitches throughout the videos.
I spoke to my teacher about this, she also conducts our sax choir. She said that she notices that when she has beginners, their whole concentration is so taken up with getting fingers in the right place to play the notes that rhythm and tempo is very unlikely to be correct. She says she tries to encourage her pupils to tap once they get better at forming the notes so that the rhythm and tempo become better.
She said the amateurs who tend to get the rhythm and tempo wrong are the ones who haven't yet mastered tapping and playing at the same time. One of the lecturers on the course videos said that even music majors in strings in the USA are terrible at staying with the beat because they have not been taught to in the way that wind (brass and woodwind) players have, because the wind players tend to play in high school bands.
I try hard now to only tap my big toe inside my shoe, but when a passage become complicated I tend to get more enthusiastic with my tapping to ensure I am counting correctly (on early play-throughs, with time and familiarity, I tap less enthusiastically)
I have heard that it is very off-putting to the conductor, as no two people tap together!
So...are you a tapper? do you lead a group and have views on tapping.