jonf
Well-Known Member
- 4,697
I’ve acquired for very little money a Yanagisawa A6 stencil, branded as Astro. It’s very definitely a Yanagisawa, with clear markings on it. It is a very solid sax, and has new pads. However, it’s been in the wars a bit. It has a non-original crook, with a pretty crappy repair to the octave key. The spring is bust, and the screw is stuck in. It has also lost its low Eb guard, which has been replaced by a semi-circular one with nowhere to hold a bumper. It does blow, using either the knackered crook and a rubber band or a Yamaha crook from another sax. It actually sounds great. So, my options.
1 Bodge it. Use the Yamaha crook, replacing that one with a new Yamaha one from Windcraft. Fit a pillar with a cork bumper to the body of the sax to stop the Eb key opening too wide, the same way early Bueschers work. Total cost, about £40.Then just play the thing.
2 Get it fixed properly. Get Griff to mount a new Eb guard. Buy a replacement Yanagisawa crook (say £100? This is more than the whole horn cost!). Get him to clean up the sax a bit and adjust the action while he’s on. Total cost, a guess, but about £200?
Option 1 would give me a playable Yanagisawa for very little total expenditure, but it would be an ugly horn. Its value would be more than I paid for it, but always limited. Option 2 would give a very nice sax, and still be economic given how little I paid for it. It would still, though, in the final analysis be a scruffy stencil, and never worth all that much. Value perhaps equal to my total expenditure including buying the thing.
So, quite an interesting dilemma. What do you all think I should do?
1 Bodge it. Use the Yamaha crook, replacing that one with a new Yamaha one from Windcraft. Fit a pillar with a cork bumper to the body of the sax to stop the Eb key opening too wide, the same way early Bueschers work. Total cost, about £40.Then just play the thing.
2 Get it fixed properly. Get Griff to mount a new Eb guard. Buy a replacement Yanagisawa crook (say £100? This is more than the whole horn cost!). Get him to clean up the sax a bit and adjust the action while he’s on. Total cost, a guess, but about £200?
Option 1 would give me a playable Yanagisawa for very little total expenditure, but it would be an ugly horn. Its value would be more than I paid for it, but always limited. Option 2 would give a very nice sax, and still be economic given how little I paid for it. It would still, though, in the final analysis be a scruffy stencil, and never worth all that much. Value perhaps equal to my total expenditure including buying the thing.
So, quite an interesting dilemma. What do you all think I should do?