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Today I sold my first completely overhauled saxophone. It's just the third one I do. Complete dis-assembly, deep clean, full repad, complete corks and felts replacements (I didn't like the green felts), repositioned some of the posts and key cups that where not properly covering the tone holes and oiling where required.
Since it was a vintage soprano sax, it proved a bit of a challenge to bring it all back into leak free status due to linkage and corks rather than screws!
As soon as it was done, based on play testing it regularly to find out what could still be wrong or improved, I put it on sale and was amazed to see over a hundred views in the first afternoon it's been posted, including a buyer who wanted to see it.
That was yesterday and it's already gone!
I have 4 sets of pads that are waiting for their horns. My next victim might be my Indiana alto...
It's been fun fixing this horn. It took me roughly 2 weeks to complete the job, not full time of course, but it's a recursive process.
Most of the supplies I used came from China, but were OK.
Two things I'd like to point out:
- Avoid resonators on small pads, anything less than 25mm, at least on cheap Chinese pads. Is it worth having a rivet only that can be off center or add unnecessary thickness to a pad?
- Make sure you measure each and every key cup well. I didn't have any pads that were too large, only some that were a bit small and on a vintage soprano it sometimes means they just cover the tone hole...
Now, I guess as amateurs we will always have to suffer from not stocking many sizes of pads. What you order comes close but never on the spot. Two identical sizes can feel differently, one being snug while the other floats a bit.
Since it was a vintage soprano sax, it proved a bit of a challenge to bring it all back into leak free status due to linkage and corks rather than screws!
As soon as it was done, based on play testing it regularly to find out what could still be wrong or improved, I put it on sale and was amazed to see over a hundred views in the first afternoon it's been posted, including a buyer who wanted to see it.
That was yesterday and it's already gone!
I have 4 sets of pads that are waiting for their horns. My next victim might be my Indiana alto...
It's been fun fixing this horn. It took me roughly 2 weeks to complete the job, not full time of course, but it's a recursive process.
Most of the supplies I used came from China, but were OK.
Two things I'd like to point out:
- Avoid resonators on small pads, anything less than 25mm, at least on cheap Chinese pads. Is it worth having a rivet only that can be off center or add unnecessary thickness to a pad?
- Make sure you measure each and every key cup well. I didn't have any pads that were too large, only some that were a bit small and on a vintage soprano it sometimes means they just cover the tone hole...
Now, I guess as amateurs we will always have to suffer from not stocking many sizes of pads. What you order comes close but never on the spot. Two identical sizes can feel differently, one being snug while the other floats a bit.