Mouthpieces Equivalent mouthpieces

Jay

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I get the impression, 'listening in', that alto players generally don't play such open tips as tenor players? And soprano players even more so?

So - if I play a Link 7* on my tenor, what's an 'equivalent' sort of piece on a soprano?
 
If only there was a formula. I have been surprised how smaller reeds can handle larger number lays. I tried a metalite M11 on clarinet and was pleasantly surprised. I went for a Selmer S80 F which sounded large but plays great.

The bari esprit is a good get you going piece but I got bored with it very quickly. I've also tried, Yam 4c, Rico graftonite and metalite, Delacore. Nothing compared for ease of play and projection to the Selmer S80.
 
Soprano mouthpieces I have tried over the years, with some success are the Bari Esprit, Yamaha 4C, Eugene Rousseau Studio Jazz SJ6, Otto Link 5* hard rubber jobbie, and Meyer 5M hr...there is a lot of stuff out there to choose from and you people in the UK would have a bigger range to select from especially with the big horn shops like sax.co.uk, etc.

Greg S.
 
The idea was that you played the same size on each sax.

I've experimented a lot. I found that matching reed strengths to tip openings allowed me to blow most tips from a 3 up. For sop I was able to try the PPT in 5, 6, 7, 8. Couldn't make my mind up between 7 & 8. Bought both and eventually settled on the 7. Although I have others, I'm on 8* for tenor and 7 for the rest.

Remember also that not all mouthpiece numbers are the same, but most use sizes that match the link charts. And that the facing curve really affects playability/how well it works for you as much as or more than tip opening.

Don't let stories of sop difficulties put you off. Spend plenty of time with a tuner working out where the mouthpiece should be to play in tune across the whole range of the sax. It needs to be adjusted to about half a millimeter accuracy. For tone really concentrate on opening your throat. And fine tune reed strength to get easy low notes without losing tone or range at the high end. Funny thing is that when you start getting a good sound on sop, you'll find your tenor sound improves a lot - automatically.

Switching between the two is hard at first, but you'll get used to switching embouchure. Going to tenor from sop can be a relief, both for ears and lips.
 
The idea was that you played the same size on each sax.

I've experimented a lot. I found that matching reed strengths to tip openings allowed me to blow most tips from a 3 up. For sop I was able to try the PPT in 5, 6, 7, 8. Couldn't make my mind up between 7 & 8. Bought both and eventually settled on the 7. Although I have others, I'm on 8* for tenor and 7 for the rest.

Remember also that not all mouthpiece numbers are the same, but most use sizes that match the link charts. And that the facing curve really affects playability/how well it works for you as much as or more than tip opening.

Don't let stories of sop difficulties put you off. Spend plenty of time with a tuner working out where the mouthpiece should be to play in tune across the whole range of the sax. It needs to be adjusted to about half a millimeter accuracy. For tone really concentrate on opening your throat. And fine tune reed strength to get easy low notes without losing tone or range at the high end. Funny thing is that when you start getting a good sound on sop, you'll find your tenor sound improves a lot - automatically.

Switching between the two is hard at first, but you'll get used to switching embouchure. Going to tenor from sop can be a relief, both for ears and lips.
Thank you very much both for the encouragement, and all the great advice too :thumb:

And yes, I love the sound of my tenor even more when I go to it after having been messing on the soprano.
 
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My teacher asked, in my lesson last night, 'so, what's new'.

And I confessed about the soprano, expecting to get a bit of a 'you need to learn to play the tenor first' reaction. I said quickly 'I probably shouldn't have done' and instead of a slightly discouraging response I got a huge grin and a 'no, you probably shouldn't have done, but sometimes you just have to go with what's in your head/heart'.

And then he went and found me a piece of music he thought would sound good on the sop, and he's right, it does. I have a great teacher 😀
 
The saxophone is a family and enjoys company. For me playing different sizes of saxophone emphasises which one I'm playing. The hardest transition is from Eb to Bb instruments. Especially Bari to sop. My ear doesn't recognise where my fingers are and tells my embouchure lies.

Always follow your heart. But pay the rent first.
 

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