BOTM BOTM Feb 2019 - You’Ve Changed

[U CAN CALL ME AL]

My personal fave!

 

[trimmy]

My personal fave!

Beautiful

 

[6441]

If I may (the more the merrier?) This is a nice recording, I like the way they all look like they're having a great time. Nice harmonica, too.

I've used Nat King Cole as a reference when I need to learn a melody, and this is nice. I always feel he 'spains the spirit of the tune very well.

 

[MikeMorrell]

This was the version I first thought of too but I do like all the other versions.

Album details:
Both Sides Now (Joni Mitchell album) - Wikipedia

 

[guidocreo]

Nice Choice Guido, and nice to hear your baritone again.
I had a quick run through on baritone also.
I've only played this on tenor in the past, so this was a different experience.
You've changed 2019.mp3 - Box
Nick.

Hi Nick,
as always it is a pleasure to listen to your beautiful fat sound on the baritone.

Nice the thema, nice the impro !🙂
Ciao

 

[Ivan]

2. - 'You've Changed' (Eva meets PeeBee - Ponzol 120 - La Voz medium):
SoundClick Player

Nicely mixed, nicely played

 

[sax panther]

quick effort while the girlfriend is out...

https://soundcloud.com/user-934945909%2Fyouve-changed

 

[U CAN CALL ME AL]

Simple take from an uncomplicated person!

https://soundcloud.com/user-550962391%2Fyouve-changed

 

[Jeanette]

Some lovely recordings. @U CAN CALL ME AL love that picture 🙂

Jx

 

[6441]

And here is a wonderful version by the great Tommy Smith with Brian Kellock at the pianoforte.
What a sound !
Rhys

I note in passing that he plays the first A section in the high register and the second in the low. It's something I thought about in various ballads and dismissed, thinking it better to go low to high. He made it work. Yet another life lesson from a great player!

 

[s.mundi]

Wow. Lovely recordings!

 

[B Flat]

I went at this one again on the Martin bari.
This time with an old Hard Rubber pickle Barrel piece that I refaced to .110.
Again with a Fibracell 3.5 reed.
you've changed bari II.mp3 - Box
Nick.

 

[guidocreo]

I went at this one again on the Martin bari.
This time with an old Hard Rubber pickle Barrel piece that I refaced to .110.
Again with a Fibracell 3.5 reed.
you've changed bari II.mp3 - Box
Nick.

Bella NIck ! 🙂

 

[rhysonsax]

I went at this one again on the Martin bari.
This time with an old Hard Rubber pickle Barrel piece that I refaced to .110.
Again with a Fibracell 3.5 reed.
you've changed bari II.mp3 - Box
Nick.

Really nice. I prefer the sound on your The Martin and the ideas keep flowing.

Rhys

 

[B Flat]

Bella NIck ! 🙂

Grazie Guido.

 

[B Flat]

Really nice. I prefer the sound on your The Martin and the ideas keep flowing.

Rhys

Thanks Rhys.
They were both on The Martin only the second one I used the old Rubber piece and the first one I used an old STM.

 

[rhysonsax]

Thanks Rhys.
They were both on The Martin only the second one I used the old Rubber piece and the first one I used an old STM.

The pickle barrel hard rubber piece sounds better to me. Maybe the STM isn't so well in tune up top.

Rhys

 

[rhysonsax]

Here's a version I just recorded on alto using a Karaoke track based on Eva Cassidy's recording. She did it in concert C, so I did too.

You've Changed - Rhys alto V1.mp3 - Box

Rhys

 

[hedgehog]

I have been working on this and am puzzled about the first chord in the A section. The dots for MuseScore, for tenor, show it as Fo7. But the BIAB file shows it as FMaj7b5. Can anyone tell me which is correct?

Related: my imperfect knowledge of theory says the chord notes would be

Fo7: F Ab B D
FMaj7b5: F A B E

Thanks!

 

[nigeld]

I have been working on this and am puzzled about the first chord in the A section. The dots for MuseScore, for tenor, show it as Fo7. But the BIAB file shows it as FMaj7b5. Can anyone tell me which is correct?

Related: my imperfect knowledge of theory says the chord notes would be

Fo7: F Ab B D
FMaj7b5: F A B Eb

Thanks!

Well spotted!

The notes are right and the BIAB file is wrong.
The BIAB chord should be Fm7b5 , not Fmaj7b5

Oddly enough, the backing track chord is correct, so the SGU file was correct, and then somehow it got changed.
My fault. Many apologies.

This means that the sax is playing E while the backing is playing a chord with an F and an Eb.
It seems like an odd dissonance, but that's how it was in the version I found.

Here is a new version of the BIAB file.
Corrected BIAB File