Or sax players who just make you want to stick your fingers in your ears.
Soprano
Well, you can probably guess what's coming here. Kenny G. Do I need to say any more?
Alto
I freely admit to having a bit of a problem with alto. I rarely like the sound anyone makes on it. There are legions of Parker clones who do absolutely nothing for me but there's one player who makes me reach for the off button. I really want to like Eric Dolphy but every time I try I fail. I've got a lot of live Coltrane stuff when Dolphy was in the group and I always skip his solos. They're just irritating.
Tenor
I'm sure I used to be able to listen to Snake Davis.
Baritone
Whilst not being a huge fan of Gerry Mulligan's sound I quite enjoy the overall calming effect of the music. It takes someone special to put me off listening to the baritone. And that someone is Hamiet Bluiett. If there was ever a sax player who needed a good slap, he is that person. Great sound, lovely playing but then he has these little moments when for 10 seconds or so he'll produce nothing but random squeaks. The first time you hear it you think, "What just happened there? Did he really mean to do that?", but after a few tracks you realise it's a feature of his playing. I've got nothing against altissimo or free playing but this is just stupid. I can't listen to him now because I sit there waiting for this rubbish that I know he's going to throw in at an unexpected moment.
Finally there are those (mostly) anonymous players who appear on albums with titles like “Saxy Moods” or “The Romantic Sax” where they “re-interpret” (massacre) classic songs. People give them to you because they know you play sax and they’re dirt cheap. “I saw this and thought of you”. Thanks a bunch.
Oh, and I nearly forgot. Anyone who plays “smooth jazz”.
Soprano
Well, you can probably guess what's coming here. Kenny G. Do I need to say any more?
Alto
I freely admit to having a bit of a problem with alto. I rarely like the sound anyone makes on it. There are legions of Parker clones who do absolutely nothing for me but there's one player who makes me reach for the off button. I really want to like Eric Dolphy but every time I try I fail. I've got a lot of live Coltrane stuff when Dolphy was in the group and I always skip his solos. They're just irritating.
Tenor
I'm sure I used to be able to listen to Snake Davis.
Baritone
Whilst not being a huge fan of Gerry Mulligan's sound I quite enjoy the overall calming effect of the music. It takes someone special to put me off listening to the baritone. And that someone is Hamiet Bluiett. If there was ever a sax player who needed a good slap, he is that person. Great sound, lovely playing but then he has these little moments when for 10 seconds or so he'll produce nothing but random squeaks. The first time you hear it you think, "What just happened there? Did he really mean to do that?", but after a few tracks you realise it's a feature of his playing. I've got nothing against altissimo or free playing but this is just stupid. I can't listen to him now because I sit there waiting for this rubbish that I know he's going to throw in at an unexpected moment.
Finally there are those (mostly) anonymous players who appear on albums with titles like “Saxy Moods” or “The Romantic Sax” where they “re-interpret” (massacre) classic songs. People give them to you because they know you play sax and they’re dirt cheap. “I saw this and thought of you”. Thanks a bunch.
Oh, and I nearly forgot. Anyone who plays “smooth jazz”.