jrintaha
Senior Member
- Messages
- 282
- Locality
- Helsinki, Finland
How wide should your dynamic range be in the altissimo register? A couple of weeks back, after playing a lot of flugelhorn, I noticed I've extended my altissimo register by quite a few notes (playing brass feels much harder on the facial muscles, so I suppose I've gained a bit of strength there), but only if I play really loud. F# and G I can coerce out of the horn relatively quietly if I articulate very softly or don't use the tongue at all. If I do a hard attack on the tongue, I also have to play quite loud. G# is so-so regardless of volume, A, Bb and B are very easy as long as I play loud enough, but I simply can't hit them quietly. C is shaky, but haven't really practiced it much, C# and D are quite easy even at very moderate volumes.
I can't really recall hearing any recording with quiet altissimo notes; they're always played very loud. I'm thinking a crescendo on a high note would be a very nice touch in some songs, but I just can't get them to sound quietly. Is the loudness and difficulty in articulation something that just is built into the technique, or is it something that can be worked on?
I can't really recall hearing any recording with quiet altissimo notes; they're always played very loud. I'm thinking a crescendo on a high note would be a very nice touch in some songs, but I just can't get them to sound quietly. Is the loudness and difficulty in articulation something that just is built into the technique, or is it something that can be worked on?