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M/Pieces - Ligs Advice needed on mouthpiece

Supersonic

New Member
Messages
1
I have a Earlham Soprano and am looking for a new mouthpiece. I'm steering more towards the Jazz side of things rather than classical - and I also love the Kenny G sound. Can anyone recommend what mouthpiece I should look for. It's all so confusing!
Thanks
 

saxnik

Member
Messages
381
Locality
Poole, Dorset, United Kingdom
I have a Earlham Soprano and am looking for a new mouthpiece. I'm steering more towards the Jazz side of things rather than classical - and I also love the Kenny G sound. Can anyone recommend what mouthpiece I should look for. It's all so confusing!
Thanks

I use an Otto Link (ebonite) Tone Master on my student-model sop (Arbiter Pro-Sound). It's wide enough for jazz playing, by which I mean it suits my style of playing, and has enough play in it to mostly make up for the sax's slightly suspect intonation.

It was recommended to me by the nice chap at Allegro in Oxford - he knows a lot about mouthpieces...

Hope that's helped,

Nick
 

Jules

Formerly known as "nachoman"
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4,902
Locality
brighton by the sea
For me- Vandoren V16, Yanagisawa ebonite, Meyer, Berg Larsen, Jody Jazz HR, or Otto Link all work well. To be honest there isn't a huge amount to choose between them- yes, they've all got slightly different characters but not enough to really get hung up on. One thing I have noticed is that Rovner- leather-belt style seem to damp down the tone noticably- metal ligs give a livelier response.... Personal set up for my 'I want to sound like jan garbarek' rig.... yani ebonite, standard two screw metal lig and LaVoz medium reeds.. couldn't improve on that.
 

Sue

One prosecco, two prosecco, three prosecco - floor
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The Millenium Falcon
I personally like Yani ebonite with Van Doren Optimum Lig and Alexander reeds
 

half diminished

Senior Member
Messages
1,302
Locality
Buckinghamshire
I have a Earlham Soprano and am looking for a new mouthpiece. I'm steering more towards the Jazz side of things rather than classical - and I also love the Kenny G sound. Can anyone recommend what mouthpiece I should look for. It's all so confusing!
Thanks

I still haven't got around to doing anything with the sop :(

Same advice as ever though, get to a shop and try some out. As for the 'lift music' sound you wish to achieve :w00t:, just play in a lift, or get yourself some reverb kit. Not that many Kenny G fans on here I'm afraid. :)))
 

Tommy Ng

Member
Messages
575
Locality
South Yorkshire
I have a Earlham Soprano and am looking for a new mouthpiece. I'm steering more towards the Jazz side of things rather than classical - and I also love the Kenny G sound. Can anyone recommend what mouthpiece I should look for. It's all so confusing!
Thanks

Hi

Kenny G uses Dukoff D-8 metal mouthpiece and Hemke 2.5 reeds.

tom
 

jonf

Well-Known Member
Messages
3,724
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Betelgeuse
I also like Yanagisawa ebonite on sop, and Yanagisawa metal too. Current fave, though, is a Bari Gold metal 7. Just works.
 

half diminished

Senior Member
Messages
1,302
Locality
Buckinghamshire
Hi

Kenny G uses Dukoff D-8 metal mouthpiece and Hemke 2.5 reeds.

tom

Seriously though :w00t: whatever you do instrument/mp or reed wise you're more likely to sound like you than Kenny G or anyone else for that matter.

I've been working hard on my articulation/sound based on Sonny Rollins. Still sound just like me though......:)

Mind you, dunno what reed/mp setup he uses. :D
 

Tommy Ng

Member
Messages
575
Locality
South Yorkshire
Seriously though :w00t: whatever you do instrument/mp or reed wise you're more likely to sound like you than Kenny G or anyone else for that matter.

I've been working hard on my articulation/sound based on Sonny Rollins. Still sound just like me though......:)

Mind you, dunno what reed/mp setup he uses. :D

Sonny uses Berg Larsen 130/2 and LaVoz medium. You probably need to learn a bit of dancing as well .. :D
 

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