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Yesterday evening, a British band was playing at a local Dutch pub. They played a lot of covers and they were pretty good. I heard they were British so afterwards, while they were having a beer outside, I complimented them on their performance and asked them how they got to be there on a Thursday evening . TBH most people sat outside while they were playing . Anyway, the were really nice guys and they appreciated the compliment. We got talking about 'musical integrity' and how they felt gigs in the Netherlands were often more 'valued' than those in London.
I mentioned that I played sax and they immediately invited me to sit in with their next gig next Saturday in my home town.,Tonight (Friday) they're playing in Antwerp (Belgium. I did explain that I was a true amateur with some BB experience but they had no problem with that. It might have been the beer, but we exchanged e-mail addresses.
So today I get a friendly e-mail asking whether "I'm still keen" with a couple of songs that they like me to sit in with. The songs are great. The key (concert A) is less great for me as a tenor sax player. Anything I need to play has 4-6 sharps with which I'm really not comfortable playing by ear. And even less playing anything that might resemble a solo.
I responded that I could probably play a 3-4 note supporting sax fill but no more than that. In other keys, perhaps more. But it did ímmediately strike me how limited my comfortable 'range was: 3-4 sharps or flats.
How do other 'giggers deal with this? Do you continually practice in all keys? Or in all common (concert) keys?
Mike
I mentioned that I played sax and they immediately invited me to sit in with their next gig next Saturday in my home town.,Tonight (Friday) they're playing in Antwerp (Belgium. I did explain that I was a true amateur with some BB experience but they had no problem with that. It might have been the beer, but we exchanged e-mail addresses.
So today I get a friendly e-mail asking whether "I'm still keen" with a couple of songs that they like me to sit in with. The songs are great. The key (concert A) is less great for me as a tenor sax player. Anything I need to play has 4-6 sharps with which I'm really not comfortable playing by ear. And even less playing anything that might resemble a solo.
I responded that I could probably play a 3-4 note supporting sax fill but no more than that. In other keys, perhaps more. But it did ímmediately strike me how limited my comfortable 'range was: 3-4 sharps or flats.
How do other 'giggers deal with this? Do you continually practice in all keys? Or in all common (concert) keys?
Mike